Visual culture and decolonisation in Britain
著者
書誌事項
Visual culture and decolonisation in Britain
(British art and visual culture since 1750, new readings)
Ashgate, c2006
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
収録内容
- 'Festering Britain' : the 1951 Festival of Britain, decolonisation and the representation of the commonwealth / Jo Littler
- Images of industrialisation in empire and commonwealth during the shift to neo-colonialism / Anandi Ramamurthy
- Late colonial exoticism : John Minton's pictures of Jamaica, 1950-1952 / Simon Faulkner
- Francis Newton Souza and Aubrey Williams : entwined art histories at the end of empire / Leon Wainwright
- A journey through the imperial gaze : Birmingham's photographic collections and its Caribbean nexus / Sandra Courtman
- 'Can Whiskey come too?' : records of family and friendship in 1960s Malawi / Patricia Holland and Emma Sandon
- 'There'll always be an England' : representations of colonial wars and immigration, 1948-1968 / Wendy Webster
- Casting a giant shadow : the appropriation of colonial imagery in three pro-Zionist films / Richard Farrow
- Fragments in the history of the visual culture of anti-colonial struggle / Hakim Adi and Anandi Ramamurthy
- Afterword : 'Ways of seeing' / Bill Schwarz
内容説明・目次
内容説明
"Visual Culture and Decolonisation in Britain" provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres - art, film, advertising, photography, news reports and ephemera - represented and contributed to the political and social struggles over Empire and decolonisation during the mid-twentieth century. The book examines both the direct visual representation of imperial retreat after 1945, as well as the reworkings of imperial and 'racial' ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
目次
- Introduction, Simon Faulkner and Anandi Ramamurthy
- 'Festering Britain': the 1951 Festival of Britain, decolonisation and the representation of the Commonwealth, Jo Littler
- Images of industrialisation in Empire and Commonwealth during the shift to neo-colonialism
- Anandi Ramamurthy
- Late colonial exoticism: John Minton's pictures of Jamaica, 1950 - 52, Simon Faulkner
- Frances Newton Souza and Aubrey Williams: entwined art histories at the end of Empire, Leon Wainwright
- A journey through the imperial gaze: Birmingham's photographic collections and its Caribbean nexus, Sandra Courtman
- Can Whisky come too?, Patricia Holland and Emma Sandon
- There'll always be an England: representations of colonial wars and immigration, 1948 - 68, Wendy Webster
- Casting a giant shadow: the appropriation of colonial imagery in three pro-Zionist films, Richard Farrow
- Fragments in the history of the visual culture of anti-colonial struggle, Hakim Adi and Anandi Ramamurthy
- Afterword: 'Ways of seeing', Bill Schwarz
- Index.
「Nielsen BookData」 より