Roman eyes : visuality & subjectivity in art & text
著者
書誌事項
Roman eyes : visuality & subjectivity in art & text
Princeton University Press, c2007
大学図書館所蔵 全5件
注記
Includes bibliographical references (p. 303-333) and indexes
内容説明・目次
内容説明
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field.
Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.
目次
Acknowledgments ix Prologue xi Chapter 1: Between Mimesis and Divine Power Visuality in the Greco-Roman World 1 PART 1: Ancient Discourses of Art Chapter 2: Image and Ritual Pausanias and the Sacred Culture of Greek Art 29 Chapter 3: Discourses of Style Connoisseurship in Pausanias and Lucian 49 Chapter 4: Ekphrasis and the Gaze From Roman Poetry to Domestic Wall Painting 67 PART 2: Ways of Viewing Chapter 5: Viewing and Creativity Ovid's Pygmalion as Viewer 113 Chapter 6: Viewer as Image Intimations of Narcissus 132 Chapter 7: Viewing and Decadence Petronius' Picture Gallery 177 Chapter 8: Genders of Viewing Visualizing Woman in the Casket of Projecta 200 Chapter 9: Viewing the Gods The Origins of the Icon in the Visual Culture of the Roman East 225 Chapter 10: Viewing and Resistance Art and Religion in Dura Europos 253 Epilogue: From Diana via Venus to Isis Viewing the Deity with Apuleius 289 Bibliography 303 Index Locorum 335 General Index 343
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