Conversations with Leon Forrest
著者
書誌事項
Conversations with Leon Forrest
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, 2007
1st ed
- : cloth
- : pbk
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Books by Leon Forrest": p. [iv]
Chronology: p. xv-xvii
Includes index
内容説明・目次
内容説明
Leon Forrest (1937-1997) was among the most innovative and ambitious African American fiction writers of the twentieth century. His books-which include novels There Is a Tree More Ancient than Eden, Divine Days, The Bloodworth Orphans, and Two Wings to Veil My Face, and the posthumously published novella Meteor in the Madhouse-fused classical mythology, realism, and African American history and culture. Largely set in his native Chicago, Forrest's novels comprise an oeuvre of powerful urban modernism.
Conversations with Leon Forrest collects interviews ranging from 1975 to 1997. Forrest discusses his literary influences (William Faulkner, Fyodor Dostoevsky, Thomas Hardy, Dylan Thomas), the significance of both Catholicism and Baptist impulses in his writing, and the intersection between politics and aesthetics in black literature and culture. Music-jazz, folk, blues, and gospel-also played an im-portant role in developing Forrest's aesthetic.
Throughout the collection, Forrest's wit, erudition, and candor are evident. His moral concerns, disciplined work ethic, and stylis-tic invention are explored. Conversations with Leon Forrest is a valuable introduction to a writer who was recognized as a literary genius by Ralph Ellison and Toni Morrison.
Dana A. Williams is associate professor of African American literature at Howard University. She is the author of ""In the Light of Likeness-Transformed"": The Literary Art of Leon Forrest and, with Sandra Shannon, the editor of August Wilson and Black Aesthetics.
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