Bach studies

書誌事項

Bach studies

edited by Daniel R. Melamed

Cambridge University Press, 2006, c1995

  • 2 : pbk

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注記

Description based on v. 2

"First published 1995. This digitally printed first paperback version 2006"--T.p. verso

Includes bibliographical references and indexes

収録内容

  • v. 2. An early version of the first movement of the Italian concerto BWV 971 from the Scholz collection? / Kirsten Beißwenger
  • J.S. Bach's reception of Tomaso Albinoni's mature concertos / Gregory G. Butler
  • J.S. Bach and G.F. Kauffmann : reflections on Bach's later style / John Butt
  • The variation principle in J.S. Bach's Passacaglia in C minor BWV 582 / Yoshitake Kobayashi
  • Forms and functions of the choral movements in J.S. Bach's St. Matthew passion / Ulrich Leisinger
  • The theological character of J.S. Bach's Musical offering / Michael Marissen
  • A thirty-six voice canon in the hand of C.P.E. Bach / Daniel R. Melamed
  • Some questions of performance in J.S. Bach's Trauerode / Joshua Rifkin
  • J.S. Bach's A major flute sonata BWV 1032 revisited / Jeanne Swack
  • Rhetoric, the ricercar, and J.S. Bach's Musical offering / Paul Walker
  • J.S. Bach and the legacy of the seventeenth century / Christoph Wolff
  • Wilhelm Friedemann Bach's Halle performances of cantatas by his father / Peter Wollny

内容説明・目次

内容説明

This 1995 volume brings together essays on J. S. Bach and members of his family by a distinguished group of scholars. The essays address Bach's compositions, his knowledge of the musical past, his study of contemporaries, and the cultivation of his own music by later generations. The studies draw on source criticism, musical analysis, religious and social context, performance practice and reception history - a broad range of techniques and issues in Bach scholarship. The international contributors include both established scholars and newer voices in Bach studies. This volume will be indispensable for any future work on the Musical Offering, St Matthew Passion, Italian Concerto, on Bach's musical connections with his sons Carl Philipp Emanuel and Wilhelm Friedemann and on many other topics in Bach research.

目次

  • List of figures
  • Preface
  • List of abbreviations
  • 1. An early version of the first movement of the Italian Concerto BWV 971 from the Scholz Collection? Kirsten Beisswenger
  • 2. J. S. Bach's reception of Tomaso Albinoni's mature concertos Gregory G. Butler
  • 3. J. S. Bach and G. F. Kauffmann: reflections on Bach's later style John Butt
  • 4. The variation principle in J. S. Bach's Passacaglia in C minor BWV 582 Yoshitake Kobayashi
  • 5. Forms and functions of the choral movements in J. S. Bach's St Matthew Passion Ulrich Leisinger
  • 6. The theological character of J. S. Bach's Musical Offering Michael Marissen
  • 7. A thirty-six voice canon in the hand of C. P. E. Bach Daniel R. Melamed
  • 8. Some questions of performance in J. S. Bach's Trauerode Joshua Rifkin
  • 9. J. S. Bach's A major flute sonata BWV 1032 revisted Jeanne Swack
  • 10. Rhetoric, the ricercar, and J. S. Bach's Musical Offering Paul Walker
  • 11. J. S. Bach and the legacy of the seventeenth century Christoph Wolff
  • 12. Wilhelm Friedemann Bach's Halle performances of cantatas by his father Peter Wollny
  • Index of J. S. Bach's works
  • General index.

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