Weaving and dyeing in highland Ecuador
著者
書誌事項
Weaving and dyeing in highland Ecuador
University of Texas Press, 2007
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [297]-309) and index
内容説明・目次
内容説明
Although less well known than its much-admired counterparts in Peru and Bolivia, highland Ecuadorian weaving is an Andean tradition that has relationships with these more southern areas. A world away from the industrialized textile manufacturing of Euro-American society, these handmade pieces reflect the history and artistry of an ancient culture.
This comprehensive study, edited by Ann Pollard Rowe, is unrivaled in its detail and includes not only descriptions of the indigenous weaving and dyeing technology, but also an interpretation of its historical significance, as well as hundreds of photographs, drawings, and maps that inform the understanding of the process.
The principal focus is on backstrap-loom weaving, a major pre-Hispanic technology. Ecuadorian backstrap looms, which differ in various ways from those found elsewhere in the Andes, have previously only been treated in general terms. Here, the basic operation of this style of loom is covered, as are a variety of patterning techniques including warp-resist (ikat) dyeing, weaving belts with twill, and supplementary- and complementary-warp patterning. Spanish colonial treadle-loom weaving is also covered. The weaving techniques are explained in detail, so the reader can replicate them if desired.
Textiles have been an important art form among Andean peoples from remote prehistory up to the present. A greater understanding of their creation process can yield a more meaningful appreciation of the art itself.
目次
Preface
Acknowledgments
Introduction: The Land and the People (Ann P. Rowe and Lynn A. Meisch)
1. Plain Weave on the Backstrap Loom
Introduction (Ann P. Rowe)
Poncho Weaving in Pualo, Cotopaxi Province (Laura M. Miller)
The Vertical Loom in Carchi Province (Ann P. Rowe)
2. Warp-Resist-Patterned Wool Ponchos and Blankets
Introduction (Ann P. Rowe)
Ponchos in Chordeleg, Azuay Province (Lynn A. Meisch)
Blankets in Quero, Tungurahua Province (Laura M. Miller)
Blankets in Pungala, Eastern Chimborazo Province (Ann P. Rowe and Laura M. Miller)
Poncho Rosado in Paniquindra, Eastern Imbabura Province (Laura M. Miller)
3. Warp-Resist-Patterned Cotton Shawls and Ponchos
Introduction (Ann P. Rowe)
Macanas in Rumipamba de las Rosas, Cotopaxi Province (Laura M. Miller)
Panos in the Gualaceo Area, Azuay Province (Ann P. Rowe)
Kokomuro Poncho in Cacha Obraje, Central Chimborazo Province (Laura M. Miller and Ann P. Rowe)
4. Belts with Supplementary-Warp Patterning
Introduction (Ann P. Rowe)
Supplementary Warp Controlled by a Second Heddle Rod (with Pickup), Salasaca, Tungurahua Province (Laura M. Miller)
Supplementary Warp Controlled by a Second Heddle Rod (with Pickup), Saraguro, Loja Province (Ann P. Rowe and Lynn A. Meisch)
Supplementary Warp Controlled by a Second Heddle Rod (with Pickup), Molobog, Eastern Chimborazo Province (Ann P. Rowe)
Supplementary Warp Controlled by a Second Heddle Rod (with Pickup), Niton, Tungurahua Province (Ann P. Rowe)
Supplementary Warp Controlled by a Second Shed Stick (with Pickup), Collage, Cotopaxi Province (Ann P. Rowe)
Supplementary Warp Controlled by Second Shed Stick (with Pickup), Antonio Cando Camuendo, La Compania, Otavalo Area, Imbabura Province (Ann P. Rowe)
Supplementary Warp Controlled by Second Shed Stick (with Pickup), Natabuela, Imbabura Province (Ann P. Rowe)
Supplementary Warp Controlled by Second Shed Stick (with Pickup), Carlos Conteron, Iluman, Otavalo Area, Imbabura Province (Ann P. Rowe)
Supplementary Warp Controlled by Second Shed Stick (with Pickup), Chibuleo, Tungurahua Province (Ann P. Rowe)
Supplementary Warp Entirely Loom Controlled, Bar Design, Collage, Cotopaxi Province (Ann P. Rowe)
Supplementary Warp Entirely Loom Controlled, Miguel Andrango, Agato, Otavalo Area, Imbabura Province (Ann P. Rowe)
Supplementary Warp Entirely Loom Controlled, Jose Manuel Bautista, Agato, Otavalo Area, Imbabura Province (Ann P. Rowe)
Supplementary Warp Entirely Loom Controlled, Cacha, Central Chimborazo Province (Ann P. Rowe)
5. Turn-Banded 2/1 Twill Belts
Introduction (Ann P. Rowe)
La Compania, Otavalo Area, Imbabura Province (Ann P. Rowe)
Nitiluisa, Central Chimborazo Province (Ann P. Rowe and Laura M. Miller)
6. 2/1 Herringbone Complementary-Warp Weave Ponchos of the Otavalo Area, Imbabura Province (Ann P. Rowe)
7. 3/1 Alternating Complementary-Warp Weave Belts
Introduction (Ann P. Rowe)
Banderilla Belt in Paniquindra, Eastern Imbabura Province (Laura M. Miller)
Kawina Belt in Central Chimborazo Province (Laura M. Miller)
Canari Belts, Canar Province (Laura M. Miller and Ann P. Rowe)
8. Treadle-Loom Weaving
Introduction (Ann P. Rowe)
Santa Teresita, Northern Chimborazo Province (Ann P. Rowe and Laura M. Miller)
Salasaca, Tungurahua Province (Laura M. Miller and Ann P. Rowe)
Belt Weaving in Ariasucu, Otavalo Area, Imbabura Province (Lynn A. Meisch and Rudi Colloredo-Mansfield)
9. Natural Dyeing Techniques
Introduction (Ann P. Rowe)
Walnut (Ann P. Rowe)
Indigo (Ann P. Rowe and Lynn A. Meisch)
Cochineal in Salasaca, Tungurahua Province (Ann P. Rowe and Laura M. Miller)
Conclusions (Ann P. Rowe)
Notes
Glossary
References Cited
Contributors
Index
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