The Schenker project : culture, race, and music theory in fin-de-siècle Vienna
著者
書誌事項
The Schenker project : culture, race, and music theory in fin-de-siècle Vienna
Oxford University Press, 2007
並立書誌 全1件
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 333-345) and index
内容説明・目次
内容説明
Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenker's
project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of
Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-siecle Vienna, this book reveals how deeply Schenker's theory is permeated by the social and political. It also raises issues concerning the meaning and value of music theory, and the extent to which today's
music-theoretical agenda unwittingly reflects the values and concerns of a very different world.
目次
Acknowledgements
Abbreviations
Introduction: Schenker's contexts
Chapter 1: Foundations of the Schenker project / Schenker and the philosophers / Formalists against formalism / Rehabilitating musical logic
Chapter 2:
Chapter 3: The conservative tradition / Schenker's politics / The logic of nostalgia / The anachronistic city
Chapter 4: The politics of assimilation / Schenker's project and Jewish tradition / The logic of alterity / Schenker and others
Chapter 5: Beyond assimilation / Schenker's Rosenhaus / The posthumous Schenker
Conclusion: music theory as social practice
List of references
Translated by William Pastille: Appendix: 'The spirit of musical technique'
Index
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