From underground to independent : alternative film culture in contemporary China
著者
書誌事項
From underground to independent : alternative film culture in contemporary China
(Asia/Pacific/perspectives)
Rowman & Littlefield, c2006
- : pbk
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p. 245-248
Includes bibliographical references (p. 249-257) and index
内容説明・目次
- 巻冊次
-
ISBN 9780742554375
内容説明
This groundbreaking book presents a critical introduction to the cultural and political dimensions of contemporary Chinese cinema. Leading Western and Chinese scholars trace the changing dynamics of Chinese film culture since the early 1990s as it moves away from underground and toward independence in the new century. Yet as the rich case studies illustrate, the sheer variety of alternative film culture itself provides sufficient opportunities for different-at times contradictory-configurations of cinematic products. Drawing on vigorous interdisciplinary scholarship, the book investigates the objects of its study from various methodological perspectives, ranging from historical and literary to sociological and ethnographic. In addition to offering critical readings of specific texts, this book explores alternative film culture through personal interviews, on-site observations, and media interrogations, from traditional print media to the visual media of film, television, and video, including the new digital media of the Internet. The contributors also consider the flourishing independent documentary filmmaking scene, highlighting a crucial part of alternative film that has been previously obscured by an almost exclusive attention on the fifth- and sixth-generation directors of fictional movies. With its fresh and knowledgeable analysis of Chinese underground and independent filmmaking, this book will be essential reading for all those interested in a society caught between socialism and global currents.
Contributions by: Chris Berry, Jim Cheng, Valerie Jaffee, Matthew David Johnson, Tonglin Lu, Chen Mo, Seio Nakajima, Paul G. Pickowicz, Zhiwei Xiao, and Yingjin Zhang.
目次
Chapter 1: Social and Political Dynamics of Underground Filmmaking in China
Chapter 2: My Camera Doesn't Lie? Truth, Subjectivity, and Audience in Chinese Independent Film and Video
Chapter 3: A Scene beyond Our Line of Sight: Wu Wenguang and New Documentary Cinema's Politics of Independence
Chapter 4: "Every Man a Star": The Ambivalent Cult of Amateur Art in New Chinese Documentaries
Chapter 5: Independently Chinese: Duan Jinchuan, Jiang Yue, and Chinese Documentary
Chapter 6: Trapped Freedom and Localized Globalism
Chapter 7: Chinese Underground Films: Critical Views from China
Chapter 8: Film Clubs in Beijing: The Cultural Consumption of Chinese Independent Films
- 巻冊次
-
: pbk ISBN 9780742554382
内容説明
This groundbreaking book presents a critical introduction to the cultural and political dimensions of contemporary Chinese cinema. Leading Western and Chinese scholars trace the changing dynamics of Chinese film culture since the early 1990s as it moves away from underground and toward independence in the new century. Yet as the rich case studies illustrate, the sheer variety of alternative film culture itself provides sufficient opportunities for different-at times contradictory-configurations of cinematic products. Drawing on vigorous interdisciplinary scholarship, the book investigates the objects of its study from various methodological perspectives, ranging from historical and literary to sociological and ethnographic. In addition to offering critical readings of specific texts, this book explores alternative film culture through personal interviews, on-site observations, and media interrogations, from traditional print media to the visual media of film, television, and video, including the new digital media of the Internet. The contributors also consider the flourishing independent documentary filmmaking scene, highlighting a crucial part of alternative film that has been previously obscured by an almost exclusive attention on the fifth- and sixth-generation directors of fictional movies. With its fresh and knowledgeable analysis of Chinese underground and independent filmmaking, this book will be essential reading for all those interested in a society caught between socialism and global currents.
Contributions by: Chris Berry, Jim Cheng, Valerie Jaffee, Matthew David Johnson, Tonglin Lu, Chen Mo, Seio Nakajima, Paul G. Pickowicz, Zhiwei Xiao, and Yingjin Zhang.
目次
Chapter 1: Social and Political Dynamics of Underground Filmmaking in China
Chapter 2: My Camera Doesn't Lie? Truth, Subjectivity, and Audience in Chinese Independent Film and Video
Chapter 3: A Scene beyond Our Line of Sight: Wu Wenguang and New Documentary Cinema's Politics of Independence
Chapter 4: "Every Man a Star": The Ambivalent Cult of Amateur Art in New Chinese Documentaries
Chapter 5: Independently Chinese: Duan Jinchuan, Jiang Yue, and Chinese Documentary
Chapter 6: Trapped Freedom and Localized Globalism
Chapter 7: Chinese Underground Films: Critical Views from China
Chapter 8: Film Clubs in Beijing: The Cultural Consumption of Chinese Independent Films
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