From agit-prop to free space : the architecture of Cedric Price
著者
書誌事項
From agit-prop to free space : the architecture of Cedric Price
Black Dog Pub., c2007
- タイトル別名
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Architecture of Cedric Price
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 280-284) and index
内容説明・目次
内容説明
Cedric Price was one of the most visionary architects of the late twentieth century, taking a playful, interactive approach to his projects that was wholly lateral and completely unconventional. He dealt with variable structures; creating works involving mobile classrooms running along rail tracks and prefab studios connected by cranes. Beginning with his work on the Fun Palace, a collaborative exercise with major avant-garde theatre practitioner Joan Littlewood, the book takes account of Price's relationships and biography over the course of his career, and the influence of the particular context and culture of post-war Britain upon his thinking - not only about architecture, but broadly about education, politics, business and technology. His permanent and temporary structures, from the Fun Palace, through to the Potteries Thinkbelt, the Magnets, and his seminal work on cybernetics, have influenced such architects and artists as Richard Rogers, Rem Koolhaas, Ron Arad, Bernard Tschumi, and Rachel Whiteread.
"From Agit-Prop to Free Space" is the first and only authoritative text on Cedric Price's complete body of work, providing a broad overview, as well as detailed assessment of his buildings and thought along with an assessment of his continuing influence, where previous titles on Price have had a far narrower focus or have now been superseded in terms of accounting for his import in contemporary work. It is the result of extensive and exhaustive research based on vast quantities of unpublished archive material, including letters, memos, notes, drawings and recordings, by academic and writer Stanley Mathews. With beautiful illustrations and accessible text, a portrait is painted of a true radical, who overturned conventional ideas of what architecture means, and had a massive impact on the landscape of architecture in Britain. The broad spectrum of disciplines that Price engages with means that this timely publication will appeal not only to architects but to those involved in art, politics, science and culture.
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