Film architecture and the transnational imagination : set design in 1930s European cinema
著者
書誌事項
Film architecture and the transnational imagination : set design in 1930s European cinema
（Film culture in transition）
Amsterdam University Press, c2007
- : pbk
- : hardcover
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注記
Includes bibliographical references (p. [297]-304) and indexes
内容説明・目次
- 巻冊次
-
: hardcover ISBN 9789053569801
内容説明
Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.
目次
Contents[-] - 6[-]Acknowledgements[-] - 10[-]Ch. 1: Introduction: Understanding and Interpreting Set Design[-] in Cinema - 12[-]Ch. 2: European Set Design in the 1920s and 1930s: Cultural Contexts and Professional Practices[-] - 32[-] Germany[-] - 33[-] France[-] - 57[-] Great Britain[-] - 81[-] Conclusion[-] - 105[-]Ch.3: Imagining Space in Late Weimar Cinema[-] - 110[-]Ch. 4: French Cinema in the 1930s: Space, Place and National Identity[-] - 170[-] Conclusion[-] - 224[-]Ch. 5: Set Design, Style, and Genre in 1930s British Cinema[-] - 226[-] Conclusion[-] - 267[-]Notes[-] - 272[-]Bibliography[-] - 298[-]Index of Film Titles[-] - 306[-]Index of Names and Subjects[-] - 312
- 巻冊次
-
: pbk ISBN 9789053569849
内容説明
Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of transnational artistic collaboration during this period. European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.
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