The cinema of attractions reloaded
著者
書誌事項
The cinema of attractions reloaded
（Film culture in transition）
Amsterdam University Press, c2006
- : pbk
- : hardcover
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注記
Includes bibliographical references (p. [421]-433) and indexes
内容説明・目次
- 巻冊次
-
: pbk ISBN 9789053569443
内容説明
What have Lumiere in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the audience and a bullet flying in slow motion. Do they belong to the same family of "cinema of attractions"?
Twenty years ago Tom Gunning introduced the phrase "cinema of attractions" to define the essence of the earliest films made between 1895 and 1906. His term scored an immediate success, even outside the field of early cinema. The present anthology questions the attractiveness and usefulness of the term for both pre-classical and post-classical cinema.
With contributions by the most prominent scholars of this discipline (such as Tom Gunning, Andre Gaudreault, Thomas Elsaesser, Charles Musser, Scott Bukatman and Vivian Sobchack) this volume offers a kaleidoscopic overview of an important historiographical debate.
- 巻冊次
-
: hardcover ISBN 9789053569450
内容説明
What have Lumi re in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the audience and a bullet flying in slow motion. Do they belong to the same family of -cinema of attractions ? Twenty years ago Tom Gunning introduced the phrase -cinema of attractions to define the essence of the earliest films made between 1895 and 1906. His term scored an immediate success, even outside the field of early cinema. The present anthology questions the attractiveness and usefulness of the term for both pre-classical and post-classical cinema. With contributions by the most prominent scholars of this discipline (such as Tom Gunning, Andr Gaudreault, Thomas Elsaesser, Charles Musser, Scott Bukatman and Vivian Sobchack) this volume offers a kaleidoscopic overview of an important historiographical debate.
目次
Table of Contents - 6[-]Acknowledgments - 10[-]Introduction to an Attractive Concept - 12[-]Theory Formation [-The Cinema of Attractions ] - 30[-] Spectacle, Attractions and Visual Pleasure - 72[-] Attractions: How They Came into the World - 32[-] A Rational Reconstruction of -The Cinema of Attractions - 42[-] The Cinema of Attractions as Dispositif - 58[-]Attraction Theories and Terminologies [-Early Film ] - 84[-] From -Primitive Cinema to -Kine-Attractography - 86[-] From -Primitive Cinema to -Marvelous - 106[-] The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories - 122[-] Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture - 140[-]Audiences and Attractions ["Its Spectator"] - 158[-] A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s - 160[-] The Lecturer and the Attraction - 182[-] Integrated Attractions: Style and Spectatorship in Transitional Cinema - 194[-] Discipline through Diegesis: The Rube Film between -Attractions and "Narrative Integration" - 206[-]Attraction Practices through History [-The Avant-Garde : section 1] - 226[-] Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series - 228[-] Lumi re, the Train and the Avant-Garde - 246[-] Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s - 266[-] The Associational Attractions of the Musical - 282[-]Digital Media and (Un)Tamed Attractions ["The Avant-Garde": section 2] - 290[-] Chez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces - 292[-] The Hollywood Cobweb: New Laws of Attraction - 310[-] Figures of Sensation: Between Still and Moving Images - 322[-] -Cutting to the Quick : Techne, Physis, and Poiesis and the Attractions of Slow Motion - 338[-]Dossier - 354[-] Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy - 356[-] Early Cinema as a Challenge to Film History - 366[-] The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde - 382[-] Rethinking Early Cinema: Cinema of Attractions and Narrativity - 390[-]Notes on Contributors - 418[-]General Bibliography - 422[-]Index of Names - 436[-]Index of Film Titles - 446[-]Index of Subjects - 452
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