Venini glass
Author(s)
Bibliographic Information
Venini glass
(Archives of decorative arts)
Umberto Allemandi & C., c2007
- vol. I
- vol. II
- Other Title
-
Vetri Venini
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Contents of Works
- v. 1. Its history, artists, and techniques
- v. 2. Catalogue, 1921-2007
Description and Table of Contents
Description
One of the most important changes during the 20th century was the evolution of the decorative arts from the rank of crafts to that of art: glass, today, has duly earned its place in museums, markets and the public opinion. The extraordinary inventiveness between the end of the 1940s and throughout the 1950s, together with the enormous success enjoyed by Venini design, helped arouse international interest in Venetian glass. New techniques, impossible to imitate, risked consigning the firm's earlier production (from 1925 to the Second World War) undeservingly to the shadows while they placed Venini artworks among the highest artistic expressions of our times.The much awaited reprint of the last edition of the catalogue raisonne has been enlarged with a section on lighting (lamps and chandeliers), a Dictionary of artists, the Red Catalogue, the Green Catalogue and the extended Blue Catalogue (doubled compared to the earlier edition).
These three catalogues contain all the reproductions of Venini items as distributed in shops; the most important pieces are grouped together on a scale of 1:10, in chronological order, accompanied by notes on the technique and materials used (blown, pulegosi, pietra dura, in corpo, flowers and fruit, lattimi, a mezza filigrana, a bollicine, sommersi, pesanti, diamante, corrosi, frames, a treccia, clocks, a rilievi, handles and ash trays). Since these catalogues are not for sale, they have become extremely rare, but indispensable for the historical and technical information they contain.
by "Nielsen BookData"