{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BA84177301.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BA84177301#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BA84177301.json"},"dc:title":[{"@value":"The resisting muse : popular music and social protest"}],"dc:creator":"edited by Ian Peddie","dc:publisher":[{"@value":"Ashgate"}],"dcterms:extent":"xxiv, 228 p.","cinii:size":"24 cm","dc:language":"eng","dc:date":"2006","cinii:ncid":"BA84177301","cinii:ownerCount":"3","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA16094309#entity","@type":"foaf:Person","foaf:name":[{"@value":"Peddie, Ian"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA002848","@type":"foaf:Organization","foaf:name":"大阪大学 附属図書館 総合図書館","rdfs:seeAlso":{"@id":"https://opac.library.osaka-u.ac.jp/opac/opac_openurl/?ncid=BA84177301"}},{"@id":"https://ci.nii.ac.jp/library/FA006714","@type":"foaf:Organization","foaf:name":"明治学院大学 図書館","rdfs:seeAlso":{"@id":"https://mgopac.meijigakuin.ac.jp/opac/opac_openurl/?ncid=BA84177301"}},{"@id":"https://ci.nii.ac.jp/library/FA009224","@type":"foaf:Organization","foaf:name":"国立民族学博物館 情報管理施設","rdfs:seeAlso":{"@id":"https://opac.minpaku.ac.jp/webopac/ufirdi.do?ufi_target=ctlsrh&ncid=BA84177301"}}],"bibo:lccn":["2005012323"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2005012323"}],"prism:publicationDate":["c2006"],"cinii:note":["Includes bibliographical references (p. [206]-221) and index","Includes discography"],"dc:subject":["LCC:ML3918.P67","DC22:306.4/8424"],"cinii:contentOfWorks":["Rock protest songs : so many and so few / Deena Weinstein","The decline and rebirth of folk-protest music / Jerry Rodnitsky","Available rebels and folk authenticities : Michelle Shocked and Billy Bragg / Mark Willhardt","The pop star as politician : from Belafonte to Bono, from creativity to conscience / John Street","The future is history : hip-hop in the aftermath of (post)modernity / Russell A. Potter","Everyday people : popular music, race and the articulation and formation of class identity in the United States / James Smethurst","Gender as anomaly : women in rap / Gail Hilson Woldu","Protest music as 'ego-enhancement' : reggae music, the Rastafarian movement and the re-examination of race and identity in Jamaica / Stephen A. King","'We have survived' : popular music as representation of Australian Aboriginal cultural loss and reclamation / Peter Dunbar-Hall","The bleak country? : the black country and the rhetoric of escape / Ian Peddie","Communities of resistance : heavy metal as a reinvention of social technology / Sean K. Kelly","The handmade tale : cassette-tapes, authorship, and the privatization of  the Pacific Northwest independent music scene / Kathleen McConnell","Gothic music and the decadent individual / Kimberly Jackson","Straight, narrow and dull : the failure of protest in straight edge rock 'n' roll / Steven Hamelman"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Popular+music+--+Social+aspects","dc:title":"Popular music -- Social aspects"},{"@id":"https://ci.nii.ac.jp/books/search?q=Popular+music+--+Political+aspects","dc:title":"Popular music -- Political aspects"},{"@id":"https://ci.nii.ac.jp/books/search?q=Protest+songs+--+History+and+criticism","dc:title":"Protest songs -- History and criticism"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BA56279540#entity","dc:title":"Ashgate popular and folk music series","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9780754651147","dc:title":": pbk"}]}]}