Thomas Middleton and early modern textual culture : a companion to the collected works
Author(s)
Bibliographic Information
Thomas Middleton and early modern textual culture : a companion to the collected works
Clarendon Press , Oxford University Press, 2007
- Other Title
-
The Oxford Middleton
Available at 22 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"The Oxford Middleton, ... published in two volumes, an innovative but accessible Collected works [<BA84191153>] and a comprehensive scholary Companion [<BA84191969>]." -- T.p. verso
Includes bibliographical references and indexes
Description and Table of Contents
Description
Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into three parts. The first part, on The Culture, situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor (The Order of Persons) surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the Middleton century (1580-1679). Ten original essays then focus on Middletons connections to different aspects of textual culture in that century: authorship (by MacD. P.Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett).
The rest of the volume, supplies the documentation for claims made in the first part. Part II, the author includes detailed evidence for the canon and chronology of Middletons works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. This section situates individual authorial agency in the space between larger institutional forces and the material specificity of particular textual embodiments. Part III, The Texts, contains a full editorial apparatus for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions.Cross-references make it easy to move between the two volumes.
This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: Hence, all you vain delights (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances).
Table of Contents
- LIST OF ILLUSTRATIONS
- "How to Use This Book"
- "Preface: Textual Proximities"
- PART I: THE CULTURE
- "The Order of Persons"
- "Early Modern Authorship: Canons and Chronologies"
- "Thomas Middleton: Oral Culture and the Manuscript Economy"
- "'From Wronger and Wronged Have I Fee': Thomas Middleton and Early Modern Legal Culture"
- "Middleton, Music and Dance"
- "Thomas Middleton, Uncut: Castration, Censorship, and the Regulation of Dramatic Discourse in Early Modern England"
- "Casting Compositors, Foul Cases, and Skeletons: Printing in Middleton's Age"
- "Visual Texts: Middleton and Prints"
- "'Twill Much Enrich the Company of Stationers": Thomas Middleton and the London Book Trade, 1580-1627"
- "Booksellers without an Author, 1627-1685"
- "For Many of Your Companies: Middleton's Early Readers"
- PART II: THE AUTHOR
- "Introduction: The Middleton Canon"
- "Works Included in This Edition: Canon and Chronology"
- "Works Excluded from this Edition"
- PART III: THE TEXTS
- Textual Introductions, Textual Apparatus, and Works Cited for 70 items from The Collected Works
- Index to Notes on Modernization
- Select Topical Index
by "Nielsen BookData"