CiNii 図書 - Black and white in colour : African history on screen

著者

Black and white in colour : African history on screen

edited by Vivian Bickford-Smith and Richard Mendelsohn

James Currey , Ohio University Press , Double Storey, 2007

Includes bibiliographical references (p. 323-371) and index

HTTP:URL=http://www.loc.gov/catdir/toc/fy0713/2007296520.html Information=Table of contents only

HTTP:URL=http://www.loc.gov/catdir/enhancements/fy0703/2007296520-b.html Information=Contributor biographical information

HTTP:URL=http://www.loc.gov/catdir/enhancements/fy0703/2007296520-d.html Information=Publisher description

History as cultural redemption in Gaston Kabore's precolonial-era films / Mahir Saul
Beyond "history" : two films of the deep Mande past / Ralph A. Austen
Tradition and resistance in Ousmane Sembene's films Emitai and Ceddo / Robert Baum
The transatlantic slave trade in cinema / Robert Harms
"What are we?" : Proteus and the problematising of history / Nigel Worden
The public lives of historical films : the case of Zulu and Zulu dawn / Carolyn Hamilton and Litheko Modisane
Breaker Morant : an African war through an Australian lens / Richard Mendelsohn
From Khartoum to Kufrah : filmic narratives of conquest and resistance / Shamil Jeppie
Cheap if not always cheerful : French West Africa in the world wars in Black and white in colour and Le camp de Thiaroye / Bill Nasson
Whites in Africa : Kenya's colonists in the films Out of Africa, Nowhere in Africa and White mischief / Nigel Penn
Beholding the colonial past in Claire Denis's Chocolat / Ruth Watson
The battle of Algiers : between fiction, memory and history / Patrick Harries
Raoul Peck's Lumumba : history or hagiography? / David Moore
Flame and the historiography of armed struggle in Zimbabwe / Teresa Barnes
Picturing apartheid : with a particular focus on "Hollywood" histories of the 1970s / Vivian Bickford-Smith
Hotel Rwanda : too much heroism, too little history, or horror? / Mohamed Adhikari
Looking the beast in the (fictional) eye : the Truth and Reconciliation Commission on film / David Philips