Museum Hermann Nitsch

著者

    • Nitsch, Hermann
    • Denk, Wolfgang
    • Museumszentrum Mistelbach
    • Museum Hermann Nitsch

書誌事項

Museum Hermann Nitsch

edited by the MZM Museumszentrum Mistelbach for the Hermann Nitsch Museum in collaboration with Wolfgang Denk ; texts by Carl Aigner ... [et al.]

Hatje Cantz, c2007

  • : english

タイトル別名

Hermann Nitsch

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注記

"Published in conjunction with the opening of the Hermann Nitsch Museum in Mistelbach"--Colophon

Includes bibliographical references

内容説明・目次

内容説明

The important Vienna Actionist Hermann Nitsch once said, ""Red is the color that people register the most because it is simultaneously the color of life and death."" Originally inspired by French Tachisme and American Abstract Expressionism, Nitsch began working with paint in the late 1950s and early 60s, putting on ""theatrical painting actions"" in order to produce large-scale spill paintings. Up until the very early 1960s, his canvases were often still stained with evocative rivers of red paint; over the ensuing years, he would gradually replace paint with blood and stretched canvases with unstretched bed sheets, bringing an assortment of new and highly charged ""materials"" into his practice, including internal organs, animal cadavers and human bodies. From the 1960s until the late 1990s, Nitsch staged nearly 100 ritualistic performance actions in his Theater of Orgies and Mysteries series. Through the complete set of these often incendiary actions, which included live slaughters, dance, music and other pagan gestures, Nitsch realized his concept for a total work of art that brings together painting, architecture and music with the catharsis of self-recognition.

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