{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BA84443915.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BA84443915#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BA84443915.json"},"dc:title":[{"@value":"Credo in us : --more works for percussion"}],"dc:creator":"John Cage","dc:publisher":[{"@value":"Wergo"}],"dcterms:extent":"1 sound disc (49 min., 09 sec.)","cinii:size":"12 cm.","dc:language":"und","dc:date":"2001","cinii:ncid":"BA84443915","cinii:ownerCount":"1","dcterms:medium":{"dc:title":"録音資料（音楽）(CD)"},"foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA01374695#entity","@type":"foaf:Person","foaf:name":[{"@value":"Cage, John"}]},{"@id":"https://ci.nii.ac.jp/author/DA1320318X#entity","@type":"foaf:Person","foaf:name":[{"@value":"Quatuor Hêlios"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA006168","@type":"foaf:Organization","foaf:name":"桐朋学園大学 附属図書館","rdfs:seeAlso":{"@id":"https://webopac.tohomusic.ac.jp/opac/library?func=function.opacsch.toshozashidsp&view=view.opacsch.itemsch&funcno=1&search8=BA84443915"}}],"prism:publicationDate":["c2001"],"cinii:note":["Quatuor Hêlios","Recorded in January 2000 at Centre culturel André Malraux, Vandœuvre-lès-Nancy","Compact disc","Wergo: WER 6651 2"],"cinii:contentOfWorks":["Credo in us (1942) : for piano, cans, buzzer and records","Imaginary landscape no. 1 (1939) : for piano, 2 oscillators and a Chinese cymbal","Inlets (1977) : for three players of water-filled conch shells and one conch-player using circular breathing and the sound of fire","Imaginary landscape no. 3 (1942) : for coil, gongs, oscillators, tin cans, marimbula, buzzer","But what about the noise of crumpling paper which he used to do in order to paint the series of \"Papiers froissés\" or tearing up paper to make \"Papiers déchirés?\" Arp was stimulated by water (sea, lake and flowing waters like rivers), forests (1986)"],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BA80869427#entity","dc:title":"Edition John Cage","@type":"bibo:Book"}]}]}