American cinema of the 1930s : themes and variations
著者
書誌事項
American cinema of the 1930s : themes and variations
(Screen decades)
Rutgers University Press, c2007
- : hbk
- : pbk
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Chronology: p. xi-xiii
Includes bibliographical references (p. 257-265) and index
収録内容
- 1930 : Movies and social difference / Aaron Baker
- 1931 : Movies and the voice / Cynthia Erb
- 1932 : Movies and transgression / David Lugowski
- 1933 : Movies and the New Deal in entertainment / Martin Rubin
- 1934 : Movies and the marginalized / Charlene Regester
- 1935 : Movies and the resistance to tyranny / Ina Rae Hark
- 1936 : Movies and the possibility of transcendence / Susan Ohmer
- 1937 : Movies and new constructions of the American star / Allen Larson
- 1938 : Movies and whistling in the dark / Sam B. Girgus
- 1939 : Movies and American culture in the annus mirabilis / Charles Maland
- Select Academy Awards, 1930-1939
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780813540818
内容説明
Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse.
The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes to Washington, and Stagecoach .
A volume in the Screen Decades: American Culture/American Cinema series, edited by Lester D. Friedman and Murray Pomerance
- 巻冊次
-
: pbk ISBN 9780813540825
内容説明
Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse.
The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes toWashington, and Stagecoach .
目次
1930 : Movies and social difference / Aaron Baker
1931 : Movies and the voice / Cynthia Erb
1932 : Movies and transgression / David Lugowski
1933 : Movies and the New Deal in entertainment / Martin Rubin
1934 : Movies and the marginalized / Charlene Regester
1935 : Movies and the resistance to tyranny / Ina Rae Hark
1936 : Movies and the possibility of transcendence / Susan Ohmer
1937 : Movies and new constructions of the American star / Allen Larson
1938 : Movies and whistling in the dark / Sam B. Girgus
1939 : Movies and American culture in the annus mirabilis / Charles Maland
Select Academy Awards, 1930-1939
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