Pedro Almodóvar
Author(s)
Bibliographic Information
Pedro Almodóvar
（Contemporary film directors / edited by James Naremore）
University of Illinois Press, c2006
- : cloth
- : pbk
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Note
Includes bibliographical references (p. [159]-164) and index
Filmography: p. [153]-158
Description and Table of Contents
- Volume
-
: cloth ISBN 9780252031175
Description
In Pedro Almodovar, Marvin D'Lugo offers a concise, informed, and insightful commentary on the man who has become a preeminent force in modern cinema and by far the best known Spanish filmmaker among English-speaking audiences. D'Lugo follows Almodovar's career chronologically as he moves from amateur to international celebrity, analyzing the films' increasing complexity in terms of the director's central themes within the context of Spanish film tradition. D'Lugo considers wide ranging critical sources and develops recognized Almodovar themes in exciting new ways, including his use of melodrama and Hollywood genre film, his self invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning": Almodovar's paradoxical ability to use his marginal positions (in terms of his class, geographical origin, and identity) to develop an expressive language that is emotionally recognizable by audiences worldwide. Including two interviews with the director and original interpretations of his most recent films, Pedro Almodovar will reward new film students and specialists alike.
- Volume
-
: pbk ISBN 9780252073618
Description
Perhaps the best-known Spanish filmmaker to international audiences, Pedro Almodovar gained the widespread attention of English-speaking critics and fans with the Oscar-nominated Women on the Verge of a Nervous Breakdown and the celebrated dark comedy Tie Me Up! Tie Me Down!. Marvin D'Lugo offers a concise, informed, and insightful commentary on a preeminent force in modern cinema. D'Lugo follows Almodovar's career chronologically, tracing the director's works and their increasing complexity in terms of theme and the Spanish film tradition. Drawing on a wide range of critical sources, D'Lugo explores Almodovar's use of melodrama and Hollywood genre film, his self-invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning," that is, Almodovar's paradoxical ability to use his marginal positions-in terms of his class, geographical origin, and identity-to develop an expressive language that is emotionally recognizable by audiences worldwide. Two fascinating interviews with the director round out the volume.
An exciting consideration of an arthouse giant, Pedro Almodovar mixes original interpretations into an analysis sure to reward film students and specialists alike.
Table of Contents
Acknowledgments ix
PEDRO ALMODOVAR AND HIS CINEMA 1
Low-Level Melodrama 1
Pepi, Luci, Bom, and Other Friends of Pedro 16
Migration and Melodrama 29
Thrillers 45
Women on the Verge of a Nervous Breakdown59
Transnational Repositioning after Women on the Verge 67
The Flower of My Secret 85
Live Flesh 93
All about My Mother 99
Talk to Her and Bad Education 105
INTERVIEW WITH PEDRO ALMODOVAR 131
SELF-INTERVIEW 145
Filmography 153
Bibliography 159
Index 165
by "Nielsen BookData"