Francesco Clemente : works 1971-1979
著者
書誌事項
Francesco Clemente : works 1971-1979
Deitch Projects, c2007
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalogue of an exhibition held at Deitch Projects, May 3-June 2, 2007
内容説明・目次
内容説明
The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani.
The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.
Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career.
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