D.W. Griffith's The birth of a nation : a history of "the most controversial motion picture of all time"

著者

書誌事項

D.W. Griffith's The birth of a nation : a history of "the most controversial motion picture of all time"

Melvyn Stokes

Oxford University Press, 2007

  • : pbk
  • : hbk

大学図書館所蔵 件 / 全10件

この図書・雑誌をさがす

注記

Includes bibliographical references (p. 373-393) and index

内容説明・目次

巻冊次

: hbk ISBN 9780195336788

内容説明

In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie landmark. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.

目次

  • INTRODUCTION
  • 1. Premiere in Los Angeles
  • 2. Thomas Dixon, Jr
  • 3. David Wark Griffith
  • 4. Making The Birth of a Nation
  • 5. Transforming the American Movie Audience
  • 6. Fighting a Vicious Film
  • 7. Griffiths View of History
  • 8. After Birth
  • 9. Conclusion
  • BIBLIOGRAPHY
巻冊次

: pbk ISBN 9780195336795

内容説明

In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.

目次

  • INTRODUCTION
  • 1. Premiere in Los Angeles
  • 2. Thomas Dixon, Jr
  • 3. David Wark Griffith
  • 4. Making The Birth of a Nation
  • 5. Transforming the American Movie Audience
  • 6. Fighting a Vicious Film
  • 7. Griffiths View of History
  • 8. After Birth
  • 9. Conclusion
  • BIBLIOGRAPHY

「Nielsen BookData」 より

詳細情報

ページトップへ