Cinema, law, and the state in Asia
著者
書誌事項
Cinema, law, and the state in Asia
Palgrave Macmillan, 2007
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book explores the intersections of film, justice, and the state in comparative perspective across a range of major Asian countries, including India, China, Japan, Korea, the Philippines, and Vietnam. The contributing authors cross the conventional border between the analysis of on-screen and off-screen intersections of law and cinema.
目次
- Introduction PART I: INDIA AND SOUTH ASIA Islamic 'Terrorism,' Secularism, and Visions of Justice in India: Khalid Mohamed's Fiza
- P.Kumar Cinematic Citizenship and the Illegal City
- L.Liang Bombay Bhai: The Gangster in and behind Hindi Popular Cinema
- C.K.Creekmur Sex in the Transnational City: Discourses of Gender, Body, and Nation in the New Bollywood
- M.G.Durham PART II: SOUTHEAST ASIA Flexible Justice: A Woman Directs the Camera in Post-War Vietnam
- K.Turner Bar Girls (Gai Nhay), Heaven's Net (Luoi Troi), and the Rise of a New Realist Cinema in Vietnam
- M.Sidel Judicial Lack and Excess: Postcolonial Condition, Transnational Desire, and the Representations of Justice in Contemporary Philippine Cinema
- R.Tolentino PART III: EAST ASIA The Road Taken (Seontaek): Freedom of Thought and National Security Law in South Korea
- D.Han Oshima's Bullfight of Love Reconsidered: Law, Sexually Explicit Film, and Gender in Japanese Cinema
- H.Hori Chinese Lawyers on the Silver Screen in the Pre-War Era
- A.Conner Paradigms of Law and the State in Zhang Yimou's Filmmaking
- M.Farquhar Playing with Intertextuality and Contextuality: Film Piracy On and Off the Chinese Screen
- Y.Zhang
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