Opera and society in Italy and France from Monteverdi to Bourdieu
著者
書誌事項
Opera and society in Italy and France from Monteverdi to Bourdieu
(Cambridge studies in opera)
Cambridge University Press, 2007
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 364-394) and index
内容説明・目次
内容説明
This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.
目次
- Foreword Craig Calhoun
- Introduction: opera and the academic turns Victoria Johnson
- Part I. The Representation of Social and Political Relations in Operatic Works: Introduction to Part I Jane F. Fulcher
- 1. Venice's mythic empires: truth and verisimilitude in Venetian opera Wendy Heller
- 2. Lully's on-stage societies Rebecca Harris-Warwick
- 3. Representations of le peuple in French opera, 1673-1764 Catherine Kintzler
- 4. Women's roles in Meyerbeer's operas: how Italian heroines are reflected in French grand opera Naomi Andre
- 5. The effect of a bomb in the hall: the French 'opera of ideas' and its cultural role in the 1920s Jane F. Fulcher
- Part II. The Institutional Bases for the Production and Reception of Opera: Introduction to Part II Thomas Ertman
- 6. State and market, production and style: an interdisciplinary approach to eighteenth-century Italian opera history Franco Piperno
- 7. Opera and the cultural authority of the capital city William Weber
- 8. 'Edizione distrutte' and the significance of operatic choruses during the Risorgimento Philip Gossett
- 9. Opera in France, 1870-1900: between nationalism and foreign imports Christophe Charle
- 10. Fascism and the operatic unconscious Michael P. Steinberg and Suzanne Stewart-Steinberg
- Part III. Theorizing Opera and the Social: Introduction to Part III Victoria Johnson
- 11. Opera and society (assuming a relationship) Herbert Lindenberger
- 12. Symbolic domination and contention in French music: shifting the paradigm from Adorno to Bourdieu Jane F. Fulcher
- 13. Rewriting history from the losers' point of view: French grand opera and modernity Antoine Hennion
- Conclusion: towards a new understanding of the history of opera? Thomas Ertman
- Bibliography.
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