British vision : observation and imagination in British art, 1750-1950
著者
書誌事項
British vision : observation and imagination in British art, 1750-1950
Mercatorfonds , Museum voor Schone Kunsten, c2007
- : hbk
- : us, hbk
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalog of the exhibition held at the Museum voor Schone Kunsten Ghent, October 6, 2007-January 13, 2008
Distributed in North America by Cornell University Press
Includes bibliographical references (p. 413-416) and index
内容説明・目次
内容説明
"Show-stoppers from many private and regional galleries, mixing paintings, watercolors, books, sculptures and photographs." The Guardian"Stunning and constantly surprising. . . . Although it contains most of our great artists it is not a 'survey' so much as an unconventional, personal and thought-provoking take on British art, full of unexpected works and unfamiliar names, as well as familiar landmarks over 300 works gathered from collections all over the world." The SpectatorFrom the landscapes of Wilson and Constable to the visionary imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a beautifully illustrated survey of British art from 1750 to 1950. British Vision presents some of the most celebrated works in British art history, selected from public and private collections in Europe, Britain, and the United States by Robert Hoozee, drawing on the expertise of Andrew Dempsey, John Gage, Mark Haworth-Booth, and Timothy Hyman. Among the artists whose work appears in British Vision are William Hogarth, Thomas Gainsborough, George Stubbs, William Blake, Henry Fuseli, John Constable, J. M. W. Turner, Richard Dadd, Dante Gabriel Rossetti, Edward Burne-Jones, Stanley Spencer, Graham Sutherland, Francis Bacon, and Lucien Freud.Essays by a group of distinguished art historians focus on two defining characteristics of British art, observation and imagination, seen within the context of society, landscape, and the visionary. Together, they set forth important arguments about what makes British art recognizable, what gives it its typically "British" style, and how British artists have contributed to the history of art as a whole. This lavishly illustrated catalog is a sumptuous record of the most comprehensive exhibition of British art to be displayed in recent years, and represents a unique opportunity to discover the creative forces that shaped British art over two centuries."
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