Music and revolution : cultural change in socialist Cuba
著者
書誌事項
Music and revolution : cultural change in socialist Cuba
(Music of the African diaspora, 9)
University of California Press , Center for Black Music Research, Columbia College, c2006
- : pbk
- : cloth
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 317-339) and index
内容説明・目次
内容説明
Music and Revolution provides a dynamic introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959 and to the policies that have shaped artistic life. Robin D. Moore gives readers a chronological overview of the first decades after the Cuban Revolution, documenting the many ways performance has changed and emphasizing the close links between political and cultural activity. Offering a wealth of fascinating details about music and the milieu that engendered it, the author traces the development of dance styles, nueva trova, folkloric drumming, religious traditions, and other forms. He describes how the fall of the Soviet Union has affected Cuba in material, ideological, and musical terms and considers the effect of tense international relations on culture. Most importantly, Music and Revolution chronicles how the arts have become a point of negotiation between individuals, with their unique backgrounds and interests, and official organizations. It uses music to explore how Cubans have responded to the priorities of the revolution and have created spaces for their individual concerns. Copub: Center for Black Music Research
目次
List of Illustrations Preface Introduction: Music and the Arts in Socialist Cuba 1. Revelry and Revolution: The Paradox of the 1950s 2. Music and Social Change in the first years 3. Artistic Institutions, Initiatives, and Policies 4. Dance Music and the Politics of Fun 5. Transformations in Nueva Trova 6. Afro-Cuban Folklore in a Raceless Society 7. Ay, Dios Amparame: Sacred Music and Revolution 8. Music and Ideological Crisis Conclusion: Musical Politics into the New Millennium Appendix:Publications on Music from Revolutionary Cuba Notes Glossary Works Cited Index
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