Variantology : on deep time relations of arts, sciences and technologies
著者
書誌事項
Variantology : on deep time relations of arts, sciences and technologies
（Kunstwissenschaftliche Bibliothek, vol. 31,
Walther König, c2005-c2008
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- 2
- 3
- タイトル別名
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変体学之巻三
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注記
Includes bibliographical references (p. 345-376 of vol. 1, p. 413-442 of vol. 2, p. 401-450 of vol. 3) and indexes
Vol. 2 edited by Siegfried Zielinski and David Link in collaboration with Eckhard Fürlus and Nadine Minkwitz
Vol. 3 edited by Siegfried Zielinski and Eckhard Fürlus in collaboration with and Nadine Minkwitz ; text editor: Gloria Custance
Cover title of Vol. 3: 変体学之巻三
内容説明・目次
- 巻冊次
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2 ISBN 9783865600509
内容説明
Edited by Siegfried Zielinski and David Link with Eckhard Fuerlus and Nadine Minkwitz, this work includes text edited by Gloria Custance. It features texts by Amit R. Alexander, Peter Blegvad, Arianna Borrelli, Oksana Bulgakova, Eckhard Furlus, Andrea Hacker, Sebastian Klotz, David Link, Alla Mitrofanova, Miklos Paternak, Koen Vermeir, Peter Weibel, Mara Mills, Steven Vanden Broecke, Amador Vega, Lioudmila Voropai, Gabor Zemplen. This second volume continues to explore the profundity of the relations between the arts, sciences and technology communities. Philosophers, artists, theologians, physicists, musicologists and art theorists from different sides of the world seriously question the understanding of what we have up to now defined as art and what we have conceived as the media. They ask such disparate questions as: What does a 13th century Majorcan missionary have to do with logical machines? Were the astrolabes of the late Middle Ages really only devices to calculate the orbits of stars and planets and not also philosophical instruments? Could computers ever write love letters?
What do the creation of the lottery and arithmetically inspired musical compositions have in common?
- 巻冊次
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3 ISBN 9783865603661
内容説明
The editors of this newest installation of the challenging international art-meets-science-meets-technology journal <i>Variantology</i> endeavor to explain the overlapping and independent histories of European and Chinese media, moving from reflections about the deep time history of certain cultural arts and sciences to speculations that reach all the way into the present and our future. Contributors expand on themes such as: Fireworks as a Time-based Praxis of Performance, Magnetized Chess Automata, Paper-cuts, Thermometers, Radical Interventions in the Natural Landscape by Humans and The Compass, revealing discovery-rich areas that may lead to broader and richer concepts of what art and media are. In addition, they explore media issues from regional perspectives, and finally, they look at deep time--particularly in the evolution of Chinese technology and knowledge. Brecht's 1920s parable proposing that Chinese civilization had already forgotten about the innovations of the Modern Age finds new meaning here.
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