The Mad Max movies
Author(s)
Bibliographic Information
The Mad Max movies
(Australian screen classics)
Currency Press , ScreenSound Australia, National Screen and Sound Archives, 2003
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 79-81
"Mad Max, Mad Max 2/the road warrior, Mad Max beyond thunderdome" -- On cover
Description and Table of Contents
Description
Max Max roared onto cinema screens around the world in 1979 and became an instant cult classic as well as establishing Mel Gibson as one of the most watchable stars of the new Australian cinema. "No other Australian films have influenced world cinema and popular culture as widely and lastingly as George Miller's Mad Max movies..." So writes leading film writer Adrian Martin in this sparkling, new appreciation of the movies that rudely shook up Australian cinema. He believes that Mad Max is an exploitation movie, Mad Max 2 is an attempt at classicism, and Mad Max Beyond Thunderdome is unquestionably George Miller's one and only art film. Martin compares the three Mad Max movies and shares his views on which works best and why. In a chapter dedicated to each film, he looks at their critical reception and their themes, examines Miller's shooting techniques and provides a shot-by-shot analysis of integral scenes. Contains stills from all three films, complete notes and film credits.
by "Nielsen BookData"