Interactions : artistic interchange between the Eastern and Western worlds in the Medieval period
著者
書誌事項
Interactions : artistic interchange between the Eastern and Western worlds in the Medieval period
(Occasional papers / Index of Christian Art, 9)
Index of Christian Art, Department of Art & Archӕology, Princeton University in association with Penn State University Press, 2007
- : pbk
- : hbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries have been made in the Near East. Moving beyond the confines of Jerusalem and Carthage, this volume considers the art of Armenia, Ethiopia, Coptic Egypt, Georgia, Jordan, Lebanon, Syria, and the Mongol East in relation to Byzantium, Cyprus, Italy, and the West. The Christian arts of the Near East, long considered naive and provincial, are now being reconsidered for their complex liturgical and theological significance. The essays in this essential reference volume cover topics ranging from the classically inspired Christian iconography of Jordan's mosaics, sources and influences of style in Jerusalem and the West, stylistic interaction between Ethiopia and Egypt, wooden carvings from Coptic Egypt, and manuscripts from Antioch as well as icon painting in Lebanon and Cairo.
Specific case studies on ivories from the Eastern Mediterranean, the Red Monastery Conservation Project, the Edessan Image of Christ, and the Marriage Charter of Otto II and Theophanu are accompanied by iconographical exposes of the Abgar Legend, the Biblical Sarah, and the Cintamani motif.
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