Jewish identities : nationalism, racism, and utopianism in twentieth-century music
著者
書誌事項
Jewish identities : nationalism, racism, and utopianism in twentieth-century music
(California studies in 20th century music, 8)(S. Mark Taper Foundation imprint in Jewish studies)
University of California Press, c2008
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 401-415) and index
内容説明・目次
内容説明
"Jewish Identities" mounts a formidable challenge to prevailing essentialist assumptions about 'Jewish music,' which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klara Moricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century 'Jewish music' in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Moricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
目次
List of Illustrations Acknowledgments List of Abbreviations Note on Transliteration Introduction I. JEWISH NATIONALISM A LA RUSSE: THE SOCIETY FOR JEWISH FOLK MUSIC 1. "Trifles of Jewish Music" 2. Zhidi and Yevrei in a Neonationalist Context II. MAN'S MOST DANGEROUS MYTH: ERNEST BLOCH AND RACIAL THOUGHT 3. Racial Mystique: Anti-Semitism and Ernest Bloch's Theories of Art 4. Denied and Accepted Stereotypes: From Jezabel to Schelomo 5. The Confines of Judaism and the Elusiveness of Universality: The Sacred Service III. UTOPIAS/DYSTOPIAS: ARNOLD SCHOENBERG'S SPIRITUAL JUDAISM 6. Uneasy Parallels: From German Nationalism to Jewish Utopia 7. Torsos and Abstractions: "Music in Its Promised Land" 8. On the Ashes of the Holocaust: Anxiety, Abstraction, and Schoenberg's Rhetoric of Fear 9. A Taste for "the Things of Heaven": Cleansing Music of Politics Postscript: "Castle of Purity" Notes Bibliography Index
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