Pompeo Batoni : prince of painters in eighteenth-century Rome
Author(s)
Bibliographic Information
Pompeo Batoni : prince of painters in eighteenth-century Rome
Yale University Press , Museum of Fine Arts, c2007
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
Note
Exhibition catalogue of an exhibition held at the Museum of Fine Arts, Houston, Oct. 21, 2007-Jan. 27, 2008; National Gallery, London, Feb. 20-May 18, 2008
Includes bibliographical references (p. 209-222) and index
Description and Table of Contents
Description
Pompeo Batoni (1708-1787) was the most celebrated painter in Rome in his day. For nearly half a century, he recorded the visits of international travellers on the Grand Tour, and these portraits remain among the most memorable artistic accomplishments of the period. His history, religious, and mythological paintings were also highly prized by great patrons and collectors in Britain and on the Continent. This book, published in celebration of the tercentenary of Batoni's birth, offers a vivid appreciation of his work. More than 150 full-colour illustrations represent the finest examples of his paintings from public and private collections in Europe and the United States. Some of these works are newly discovered and some have never before been on public display. A series of illuminating essays explores Batoni's art, his various patrons, his working methods and techniques, his final years, and his historiography and critical reception.
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