Present continuous past(s) : media art : strategies of presentation, mediation, and dissemination
著者
書誌事項
Present continuous past(s) : media art : strategies of presentation, mediation, and dissemination
(Schriftenreihe, 02)
SpringerWienNewYork, c2005
- タイトル別名
-
Present continuous pasts
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes papers presented at a conference held in 2004 at the University of the Arts in Bremen in collaboration with the International University Bremen
Includes bibliographical references (p. 212-220)
内容説明・目次
内容説明
With a history of more than 30 years, media art plays an increasingly important role in the international discourse on contemporary art. The reception of canonical video works and electronic media installations is however restricted to temporary and locally defined displays in museum exhibitions or confined to incomplete catalogue documentations. This volume provides a unique combination of theoretical reflections on the reproducibility, preservation of authenticity and juridical implications of emulation techniques with practical approaches to archiving methods and commercial aspects of media art's accessibility. It is an indispensible guide to the pro's and con's for new forms of de-centralized systems of mediation and the growing demands for liberal rules and easy access to online-presentations of media art. Uncomparable to other current publications, the book offers a practical manual with checklists for relevant websites and content profiles of major distribution companies.
目次
Preface.- Introduction.- Ursula Frohne, The Artwork as Temporal Form. Giving Access to the Historicity, Context and Discursiveness of Media Art.- Ulrike Rosenbach, Thirty Years of Media Art by Ulrike Rosenbach - Experience in Mediation and Reproduction.- Sabine Flach, "Withdrawal as an Artform" - Between Withdrawal and Presentation - The Body in the Media Arts.- Elke Bippus, Dirck Mollmann, Montage and Image Environments: Narrative Forms in Contemporary Video Art.- Mona Schieren, Media storage. On documenting and Archiving Media Art.- Lydia Haustein, Global Icons.- Dieter Daniels, Before and after video art - Television as a subject and material for art around 1963, and a glance at net art since the 1990s.- Katharina Ammann, Dan Graham's Designs for Video Presentations: Art, Commentary and Solution.- Hans D. Christ, Stan Douglas, "Win, Place or Show".- Dennis Del Favero / Neil Brown / Jeffrey Shaw / Peter Weibel, T_Visionarium: the aesthetic transcription of televisual databases.- Jean-Francois Guiton, www.guiton.de.- Rudolf Frieling, Database and Context Artistic Strategies within a Dynamic Field of Action.- Monika Fleischmann / Wolfgang Strauss, On the Development of netzspannung.org - An Online Archive and Transfer Instrument for Communicating Digital Art and Culture.- Rens Fromme / Sandra Fauconnier, Capturing Unstable Media Arts - A formal model for describing and preserving aspects of electronic Media Art.- Lori Zippay, The Digital Mystique: Video Art, Aura and Access.- Bart Rutten, "How to deliver what is asked".- Biographies.- Selected bibliography.- Photo credits
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