Present continuous past(s) : media art : strategies of presentation, mediation, and dissemination
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Bibliographic Information
Present continuous past(s) : media art : strategies of presentation, mediation, and dissemination
（Schriftenreihe, 02）
SpringerWienNewYork, c2005
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Present continuous pasts
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Note
Includes papers presented at a conference held in 2004 at the University of the Arts in Bremen in collaboration with the International University Bremen
Includes bibliographical references (p. 212-220)
Description and Table of Contents
Description
With a history of more than 30 years, media art plays an increasingly important role in the international discourse on contemporary art. The reception of canonical video works and electronic media installations is however restricted to temporary and locally defined displays in museum exhibitions or confined to incomplete catalogue documentations. This volume provides a unique combination of theoretical reflections on the reproducibility, preservation of authenticity and juridical implications of emulation techniques with practical approaches to archiving methods and commercial aspects of media art's accessibility. It is an indispensible guide to the pro's and con's for new forms of de-centralized systems of mediation and the growing demands for liberal rules and easy access to online-presentations of media art. Uncomparable to other current publications, the book offers a practical manual with checklists for relevant websites and content profiles of major distribution companies.
Table of Contents
Preface.- Introduction.- Ursula Frohne, The Artwork as Temporal Form. Giving Access to the Historicity, Context and Discursiveness of Media Art.- Ulrike Rosenbach, Thirty Years of Media Art by Ulrike Rosenbach - Experience in Mediation and Reproduction.- Sabine Flach, "Withdrawal as an Artform" - Between Withdrawal and Presentation - The Body in the Media Arts.- Elke Bippus, Dirck Mollmann, Montage and Image Environments: Narrative Forms in Contemporary Video Art.- Mona Schieren, Media storage. On documenting and Archiving Media Art.- Lydia Haustein, Global Icons.- Dieter Daniels, Before and after video art - Television as a subject and material for art around 1963, and a glance at net art since the 1990s.- Katharina Ammann, Dan Graham's Designs for Video Presentations: Art, Commentary and Solution.- Hans D. Christ, Stan Douglas, "Win, Place or Show".- Dennis Del Favero / Neil Brown / Jeffrey Shaw / Peter Weibel, T_Visionarium: the aesthetic transcription of televisual databases.- Jean-Francois Guiton, www.guiton.de.- Rudolf Frieling, Database and Context Artistic Strategies within a Dynamic Field of Action.- Monika Fleischmann / Wolfgang Strauss, On the Development of netzspannung.org - An Online Archive and Transfer Instrument for Communicating Digital Art and Culture.- Rens Fromme / Sandra Fauconnier, Capturing Unstable Media Arts - A formal model for describing and preserving aspects of electronic Media Art.- Lori Zippay, The Digital Mystique: Video Art, Aura and Access.- Bart Rutten, "How to deliver what is asked".- Biographies.- Selected bibliography.- Photo credits
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