The power of touch : handling objects in museum and heritage contexts
著者
書誌事項
The power of touch : handling objects in museum and heritage contexts
(Publications of the Institute of Archaeology, University College London)
Left Coast Press, c2007
- : hbk
- : pbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Despite the fact that we have a range of senses with which to perceive the world around us, museums and other cultural institutions have traditionally used sight as the main way to convey information. In everyday life, though, we use touch constantly in conjunction with sight. Why, then, does it play so small a role in the study and enjoyment of museum objects? Contributors to this volume explore how the sense of touch can be utilized in cultural institutions to facilitate understanding and learning.
目次
* Introduction: touching objects - the power of touchElizabeth Pye, UCL Institute of ArchaeologyTHE SCIENCE OF TOUCH* Weighing up the value of touchAlan Wing, Christos Giachritsis and Roberta Roberts, Sensory Motor Neuroscience Group, Behavioural Brain Sciences, School of Psychology, University of Birmingham* Making sense of touch: a multisensory approach to the perception of objectsCharles Spence, Crossmodal Research Laboratory, Department of Experimental Psychology, Oxford UniversityHISTORY OF TOUCH* Archaeology of touch: Babylonian magic and healingMark Geller, Department of Hebrew and Jewish Studies, UCL* For Your Eyes Only? The Magic Touch of RelicsJan Geisbusch, Department of Anthropology UCL * Don't Touch! Hands off! Art, blindness, and the conservation of expertiseFiona Candlin, Birkbeck College, University of London, and British MuseumPROFESSIONAL TOUCH* The role of touch in identification and connoisseurshipSally MacDonald, UCL Collections* Getting to know objects: the role of touch in investigation and conservationElizabeth Pye, UCL Institute of ArchaeologyTOUCH AND MEMORY* The elderly as 'Curators' in North LondonMichael Rowlands, Department of Anthropology UCL* Easing the transition: using museum objects with elderly people Claire Jacques, Culture and Adult Education, Lincolnshire County CouncilDISCOVERING OBJECTS THROUGH TOUCH * The touch experience in museums in the UK and Japan Julia Cassim, Helen Hamlyn Research Centre, Royal College of Art* Touching art touching you: BlindArt, Sense & SensualitySharareh Khayami, lindArt* Learning through touchEmily Tabassi and Tara Trewinnard-Boyle, Access Artefacts, Nottingham Museums Loans Service* To play or not to play: making a collection of musical instruments accessibleAndrew Lamb, The Bate Collection, University of Oxford* Making things whole again: working with a community artist to restore a Kwakwaka'wakw maskJessica Johnson, National Museum of the American Indian, WashingtonSIMULATED TOUCH* Touching Ghosts: Haptic technologies and cultural objects in museumsDavid Prytherch, User-lab, University of Central England Birmingham Institute of Art & Design* Exploring Virtual Touch in the Creative Arts and ConservationAngela Geary, Camberwell College of Arts, The London Institute
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