Lynching photographs

著者

    • Apel, Dora
    • Smith, Shawn Michelle

書誌事項

Lynching photographs

Dora Apel , Shawn Michelle Smith

(Defining moments in American photography, v. 2)

University of California Press, c2007

  • : cloth
  • : pbk

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注記

"Published with the assistance of The Getty Foundation"

Includes bibliographical references (p. 91-95) and index

内容説明・目次

巻冊次

: cloth ISBN 9780520251526

内容説明

Why do we look at lynching photographs? What is the basis for our curiosity, rage, indignation, or revulsion? Beginning in the late nineteenth century, nearly five thousand blacks were put to death at the hands of lynch mobs throughout America. In many communities, it was a public event, to be witnessed, recorded, and made available by means of photographs. In this book, the art historian Dora Apel and the American Studies scholar Shawn Michelle Smith examine lynching photographs as a way of analyzing photography's historical role in promoting and resisting racial violence. They further suggest how these photographs continue to affect the politics of spectatorship. In clear prose, and with carefully chosen images, the authors chart the history of lynching photographs - their meanings, uses, and controversial display - and offer terms in which to understand our responsibilities as viewers and citizens.

目次

Introduction Anthony W. Lee The Evidence of Lynching Photographs Shawn Michelle Smith Lynching Photographs and the Politics of Public Shaming Dora Apel Acknowledgments Notes Works Cited Index
巻冊次

: pbk ISBN 9780520253322

内容説明

Why do we look at lynching photographs? What is the basis for our curiosity, rage, indignation, or revulsion? Beginning in the late nineteenth century, nearly five thousand blacks were put to death at the hands of lynch mobs throughout America. In many communities, it was a public event, to be witnessed, recorded, and made available by means of photographs. In this book, the art historian Dora Apel and the American Studies scholar Shawn Michelle Smith examine lynching photographs as a way of analyzing photography's historical role in promoting and resisting racial violence. They further suggest how these photographs continue to affect the politics of spectatorship. In clear prose, and with carefully chosen images, the authors chart the history of lynching photographs - their meanings, uses, and controversial display - and offer terms in which to understand our responsibilities as viewers and citizens.

目次

Introduction Anthony W. Lee The Evidence of Lynching Photographs Shawn Michelle Smith Lynching Photographs and the Politics of Public Shaming Dora Apel Acknowledgments Notes Works Cited Index

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