Watercolors by Winslow Homer : the color of light
Author(s)
Bibliographic Information
Watercolors by Winslow Homer : the color of light
The Art Institute of Chicago , Distributed by Yale University Press, c2008
- : hardcover
- : softcover
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Exhibition catalogue
"Published in conjunction with an exhibition organized by the Art Institute of Chicago and presented at the Art Institute from February 16 to May 11, 2008"--T.p. verso
Includes bibliographical references (p. 225-227) and indexes
Description and Table of Contents
Description
American painter Winslow Homer (1836-1910) created some of the most breathtaking and influential watercolours in the history of the medium. This handsome volume provides a comprehensive look at Homer's technical and artistic practice as a watercolourist, and at the experiences that shaped his remarkable development. Focusing on 25 rarely seen watercolours from the Art Institute's collection, along with 75 other related watercolours, gouaches, drawings, and paintings - including many of the artist's characteristic subjects - this book proposes a new understanding of Homer's techniques as they evolved over his career.Accessibly written essays consider each of the featured works in detail, examining the relationship between monochrome drawing and watercolour and the artist's lifelong interest in new optical and colour theories. In particular, they show how his sojourn in England, where he encountered leading British marine watercolourists and the dynamic avant-garde art scene, precipitated an abrupt change in technique and subject matter upon his return home.
Conservators address the fragility of these watercolours, which are prone to fading due to light exposure, and demonstrate, through pioneering research on Homer's pigments and computer-assisted imaging, how the works have changed over time. Several of Homer's greatest watercolours are digitally 'restored', providing an exhilarating glimpse of the original impact of Homer's groundbreaking colour experiments.
by "Nielsen BookData"