"Better in France?" : the circulation of ideas across the Channel in the eighteenth century
著者
書誌事項
"Better in France?" : the circulation of ideas across the Channel in the eighteenth century
(The Bucknell studies in eighteenth-century literature and culture)
Bucknell University Press, c2005
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book discusses the way ideas and forms traveled between Britain and France during the eighteenth century, and the extent to which the circulation of ideas between the two countries could be difficult. The volume shows that this difficulty, because it was acknowledged and often thematized, contributed to an increased awareness of what was really at stake in the very concept of Enlightenment. The examination of points of contact between the two cultures - contacts that became very much the fashion in the course of the eighteenth century - helps us understand how apparently common concepts and concerns fared differently from one country to the next, while being enriched by those contacts. The conversation of aesthetic theories and artistic forms of expression between the two countries sheds interesting light on the overall confrontation of conflicting theories of power and control that expressed themselves throughout the period of complete political redistribution.
The ways myths and stories, forms and theories, traveled and changed currency gives us a clearer political grasp on the whole history of exchanges, as writers and artists, encouraged or irritated by the new myth of Progress, kept putting forward nothing else but models and strategies of public and private political economy. Frederic Ogee is Professor of English Literature at the University of Paris 7 - Denis Diderot.
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