The rover, or, The banished cavaliers
著者
書誌事項
The rover, or, The banished cavaliers
(Broadview editions)
Broadview Press, c1999
2nd ed
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
Reprinted in 2004
内容説明・目次
内容説明
Increasingly Aphra Behn-the first woman professional writer-is also regarded as one of the most important writers of the 17th century. The Rover, her most famous and most accomplished play, is in many ways firmly in the tradition of Restoration drama; Willmore, the title character, is a rake and a libertine, and the comedy feeds on sexual innuendo, intrigue and wit. But the laughter that the play insights has a biting edge to it and the sexual intrigue an unsettling depth.
Anne Russell points out in her introduction to this edition, there are three options for women in the society represented in The Rover: marriage, the convent, or prostitution. In this marriage economy the witty and pragmatic virgin Hellena learns how to survive, while the prostitute Angellica Bianca can retain her autonomy only so long as she remains free from romantic love. It seems that in this world women can only be free by the anonymity of disguise-yet the mask is also the mark of the prostitute. And, paradoxically, disguise is the device that in many ways drives the plot towards marriage.
Enormously popular through the eighteenth century, The Rover is now once again widely performed. Filled with the play of ideas, it is one of the most amusing, entertaining-and unsettling-of comedies.
目次
Acknowledgements
Note to the Second Edition
Introduction
Aphra Behn's Life and Career
Sources of The Rover
The Rover: Critical Issues
Stage History
Notes
Selected Bibliography
A Note on the Text
The Rover
Prologue
The Actors' Names
Act I
Act II
Act III
Act IV
Act V
Epilogue
Post-Script
Textual Notes
Appendix A: Behn on her Work
From the "Epistle Dedicatory" to the Second Part of The Rover
From "A Pastoral to Mr. Stafford..."
Appendix B: From Early Accounts of Behn's Life
From Female Forms of Several Occasions. Written by Ephelia
From Gerard Langbaine, An Account of the English Dramatick Poets
From "The History of the Life and Memoirs of Mrs. Behn"
From The Poetical Register
From A General Dictionary, Historical and Critical
Appendix C: Adaptation
Excerpt from J.P. Kemble's adaptation of The Rover, Love in Many Masks
「Nielsen BookData」 より