Avant-garde film

著者

• Graf, Alexander
• Scheunemann, Dietrich

書誌事項

Avant-garde film

edited by Alexander Graf and Dietrich Scheunemann

（Avant garde critical studies, 23）

Rodopi, 2007

注記

Includes bibliographical references and index

内容説明・目次

内容説明

This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the "classical" avant-garde cinema of the 1920s, to new trends emerging in the 1950s and 1960s and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as "film", at the same time as reconsidering the applicability of the label "avant-garde", to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.

目次

Preface Abstraction, Surrealism, Futurism: The Cinema of the Historical Avant-Garde R. Bruce ELDER: Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film A.L. REES: Frames and Windows: Visual Space in Abstract Cinema Alexander GRAF: Berlin - Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920s Rudolf E. KUENZLI: Man Ray's Films: From Dada to Surrealism Michael KORFMANN: On Mario Peixoto's Limite Tami M. WILLIAMS: Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac Marina BURKE: Mayakovsky: Film: Futurism Post-War American and European Experiments Maureen TURIM: The Interiority of Space: Desire and Maya Deren Inez HEDGES: Stan Brakhage's Film Testament: The Four Faust Films William WEES: Light-Play and the Aesthetics of Avant-Garde Film Yvonne SPIELMANN: Paul Sharits: from Cinematic Movement to Non-directional Motion Pierre SORLIN: Changes in experimental filmmaking between the 1920s and the 1960s: On Luis Bunuel Bart KEUNEN and Sascha BRU: It's a Kind of Magic: World Construction in French Surrealist and Belgian Magical Realist Fiction and Cinema Nicky HAMLYN: Peter Kubelka's Arnulf Rainer Tania ORUM: Danish Avant-Garde Filmmakers of the 1960s: Technology, Cross-aesthetics and Politics New Technologies and Media Convergence: The Contemporary Avant-garde Film Martine BEUGNET: French Experimental Cinema: the Figural and the Formless - Nicolas Rey's Terminus for you (1996) and Pip Chodorov's Charlemagne 2: Piltzer (2002) Frederique DEVAUX: The Stammering Frame: on recent French and Austrian Film Experiments Ursula BOESER: Inscriptions of Light and The 'Calligraphy of Decay': Volatile Representation in Bill Morrison's Decasia Gunter BERGHAUS: From Video Art to Video Performance: The Work of Ulrike Rosenbach Margit GRIEB: New Media and Feminist Interventions: Valie Export's Medial Anagrams Jonathan WALLEY: The Paracinema of Anthony McCall and Tony Conrad List of Illustrations About the Authors Index

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詳細情報

• NII書誌ID(NCID): BA85695764
• ISBN:
  • 9789042023055
• LCCN: 2008374448
• 出版国コード: ne
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Amsterdam ; New York
• ページ数/冊数: xi, 405 p.
• 大きさ: 24 cm
• 分類:
  • LCC : PN1995.9.E96
• 件名:
  • LCSH : Experimental films -- History and criticism
  • LCSH : Avant-garde (Aesthetics)
• 親書誌ID:
  • BA3299592X