Zeami : performance notes
著者
書誌事項
Zeami : performance notes
(Translations from the Asian classics)
Columbia University Press, c2008
- : cloth
- タイトル別名
-
Zeami
大学図書館所蔵 全39件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
この図書・雑誌をさがす
注記
Translated from the Japanese
Poems in Japanese and English
Bibliography: p. [493]-496
Includes index
内容説明・目次
内容説明
Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns. Spanning over four decades, the texts reflect the essence of Zeami's instruction under his famous father, the actor Kannami, and the value of his long and challenging career in medieval Japanese theater. Tom Hare, who has conducted extensive studies of no academically and on stage, begins with a comprehensive introduction that discusses Zeami's critical importance in Japanese culture. He then incorporates essays on the performance of no in medieval Japan and the remarkable story of the transmission and reproduction of Zeami's manuscripts over the past six centuries.
His eloquent translation is fully annotated and includes Zeami's diverse and exquisite anthology of dramatic songs, Five Sorts of Singing, presented both in English and in the original Japanese.
目次
Preface Acknowledgments Abbreviations Introduction Transmitting the Flower Through Effects and Attitudes An Extract from Learning the Flower Oral Instructions on Singing A Mirror to the Flower A Course to Attain the Flower Figure Drawings of the Two Arts and the Three Modes The Three Courses Technical Specifications for Setting a Melody A Collection of Jewels in Effect An Effective Vision of Learning the Vocation of Fine Play in Performance Five Ranks Nine Ranks Six Models Pick Up a Jewel and Take the Flower in Hand Articles on the Five Sorts of Singing Five Sorts of Singing Learning the Profession Traces of a Dream on a Single Sheet The Flower in... Yet Doubling Back Two Letters to Master Konparu Appendix 1. Music, Dance, and Performance in Sarugaku Appendix 2. On the Manuscripts Appendix 3. Zeami's Languages Glossary Bibliography Index
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