Picturing pity : pitfalls and pleasures in cross-cultural communication : image and word in a north Cameroon mission
Author(s)
Bibliographic Information
Picturing pity : pitfalls and pleasures in cross-cultural communication : image and word in a north Cameroon mission
Berghahn Books, 2007
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references(p. [283]-293) and index
Description and Table of Contents
Description
Picturing Pity is the first full length monograph on missionary photography. Empirically, it is based on an in-depth analysis of the published photographs taken by Norwegian evangelical missionaries in Northern Cameroon from the early nineteen twenties, at the beginning of their activities in this region, and until today. Being part of a large international movement, Norway sent out more missionaries per capita than any other country in Europe.
Marianne Gullestad's main contention is that the need to continuously justify their activities to donors in Europe has led to the creation and maintenance of specific ways of portraying Africans. The missionary visual rhetoric is both based on earlier visualizations and has over time established its own conventions which can now also be traced within secular fields of activity such as international development agencies, foreign policy, human relief organizations and the mass media.
Picturing Pity takes part in the present "pictorial turn" in academic teaching and research, constituting visual images as an exciting site of conversation across disciplinary lines.
Table of Contents
List of Figures
Acknowledgements
Chapter 1. Introduction: Propaganda for Christ
Chapter 2. Establishing a Goodness Regime
Chapter 3. Imagining a Call from Africa
Chapter 4. Reflections on Taking Photographs
Chapter 5. God's Sowers and Reapers
Chapter 6. Women and Children: Both Marginal and Central
Chapter 7. Muslim Men: Dangerous Rivals and Exotic Villains
Chapter 8. Victims and Villains in a Feature Film from 1960
Chapter 9. From Religions Propaganda to Cultural Heritage
Chapter 10. Goodness and Its Side-effects
Bibliography
Index
by "Nielsen BookData"