The feminine in German song

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Bibliographic Information

The feminine in German song

Sanna Iitti

P. Lang, c2006

Available at  / 3 libraries

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Note

Includes bibliographical references (p. [187]-210) and index

Description and Table of Contents

Description

Nineteenth-century composers were drawn to subjects related to gender. Songs about women open a view into nineteenth-century understandings of gender and sexuality. The author argues about ways to hear sexual difference in Lied, analyzing musical compositions in the light of composer biographies and in terms of musical gestures. Her comparison of the Suleika and Lorelei songs by Romantic composers, including the Mendelssohns and the Schumanns, reveals cultural and sexual anxieties besides conflicting arguments about music and its perception. Both the songs and their critique illustrate the functioning of gender in nineteenth-century composition and aesthetic reasoning.

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