{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BA85825280.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BA85825280#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BA85825280.json"},"dc:title":[{"@value":"The social and the real : political art of the 1930s in the western hemisphere"}],"dc:creator":"edited by Alejandro Anreus, Diana L. Linden, and Jonathan Weinberg","dc:publisher":[{"@value":"Pennsylvania State University Press"}],"dcterms:extent":"xxii, 362 p.","cinii:size":"27 cm","dc:language":"eng","dc:date":"2006","cinii:ncid":"BA85825280","cinii:ownerCount":"2","foaf:maker":[{"@type":"foaf:Person","foaf:name":[{"@value":"Anreus, Alejandro"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Linden, Diana L."}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Weinberg, Jonathan"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001674","@type":"foaf:Organization","foaf:name":"筑波大学 附属図書館 体育・芸術図書館","rdfs:seeAlso":{"@id":"https://www.tulips.tsukuba.ac.jp/mylimedio/search/search.do?target=local&mode=comp&ncid=BA85825280"}},{"@id":"https://ci.nii.ac.jp/library/FA004923","@type":"foaf:Organization","foaf:name":"青山学院大学 図書館","rdfs:seeAlso":{"@id":"https://opac.agulin.aoyama.ac.jp/iwjs0011opc/ufirdi.do?ufi_target=ctlsrh&ncid=BA85825280"}}],"bibo:lccn":["2004028709"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2004028709"}],"prism:publicationDate":["c2006"],"cinii:note":["Includes bibliographical references (p. 311-349) and index"],"dc:subject":["LCC:N72.P6","DC22:709/.181/209043"],"cinii:contentOfWorks":["Signifying the real: documentary photography in the 1930s / Alan Trachtenburg","Social and political commentary in Cuban modernist painting of the 1930s / Juan A. Martinez","The \"Mexican problem\": nation and \"native\" in Mexican muralism and cultural discourse / Mary K. Coffey","Canadian political art in the 1930s: \"a form of distancing\" / Marylin McKay","Adapting to Argentinean reality: the new realism of Antonio Berni / Alejandro Anreus","I want muscle: male desire and the image of the worker in American art of the 1930s / Jonathan Weinberg","Making history: Melvin Gray Johnson's and Earle W. Richardson's studies for Negro achievement / Jacqueline Francis","Lynching and anti-lynching: art and politics in the 1930s / Marlene Park","Art and politics in the popular front: the union work and social realism of Philip Evergood / Patricia Hills","Workers and painters: social realism and race in Diego Rivera's Detroit murals / Anthony W. Lee","\"Come out from behind the Pre-Cambrian shield\": the politics of memory and identity in the art of Paraskeva Clark / Natalie Luckyj","Ben Shahn's New Deal murals: Jewish identity in the American scene / Diana L. Linden","Between Zhdanovism and 57th Street: artists and the CPUSA, 1945-1956 / Andrew Hemingway","The president's two bodies: stagings and restagings of the New Deal body politic / Sally Stein"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Art+--+Political+aspects","dc:title":"Art -- Political aspects"},{"@id":"https://ci.nii.ac.jp/books/search?q=Social+problems+in+art","dc:title":"Social problems in art"},{"@id":"https://ci.nii.ac.jp/books/search?q=Art%2C+Modern+--+20th+century","dc:title":"Art, Modern -- 20th century"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BA85825247#entity","dc:title":"Refiguring modernism, 4","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:027102691X"}]}]}