書誌事項

Shostakovich studies

edited by David Fanning

Cambridge University Press, 2006-2016

  • [1] : pbk
  • 2 : pbk

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注記

v. 1: Originally published 1995

v. 2: "First published 2010. First paperback edition 2016"--T.p. verso

v. 2: edited by Pauline Fairclough

内容説明・目次

巻冊次

[1] : pbk ISBN 9780521028318

内容説明

Few composers' posthumous reputations have grown as steadily as Shostakovich's. Yet outside the concert hall the focus of attention seems to have been on the extraordinary circumstances of his life rather than on the music itself. This book seeks to show that the power of his work stems as much from its craftsmanship as from its political and personal context. The theoretical chapters lay the foundation for a proper understanding of Shostakovich's musical language for the first time in the West. The social context is not neglected, however, and alongside many new insights spread through the book, a substantial and provocative chapter considers the issues surrounding the composition of the Fifth Symphony. The eleven essays in the volume draw together some of the finest scholars of Russian music in Europe, Russia and America.

目次

  • Acknowledgements
  • 1. Introduction: talking about eggs: musicology and Shostakovich David Fanning
  • 2. Public lies and unspeakable truth: interpreting Shostakovich's Fifth Symphony Richard Taruskin
  • 3. Form in Shostakovich's instrumental works Yuriy Kholopov
  • 4. Russian theorists on modality in Shostakovich's music Ellon D. Carpenter
  • 5.The cycle of structure and the cycle of meaning: the Piano Trio in E Minor, Op. 67 Patrick McCreless
  • 6. Leitmotif in Lady Macbeth David Fanning
  • 7. From Lady Macbeth to Katerina: Shostakovich's versions and revisions Laurel E. Fay
  • 8. The Golden Age: the true story of the premiere Manashir Yakubov
  • 9. 'And art made tongue-tied by authority': Shostakovich's song-cycles Dorothea Redepenning
  • 10. A debt repaid? Some observations on Shostakovich and his late-period recognition of Britten Eric Roseberry
  • 11. Shostakovich and Schnittke: the erosion of symphonic syntax Alexander Ivashkin
  • Index.
巻冊次

2 : pbk ISBN 9781316638705

内容説明

When Shostakovich Studies was published in 1995, archival research in the ex-Soviet Union was only just beginning. Since that time, research carried out in the Shostakovich Family Archive, founded by the composer's widow Irina Antonovna Shostakovich in 1975, and the Glinka Museum of Musical Culture has significantly raised the level of international Shostakovich studies. At the same time, scholarly understanding of Soviet society and culture has developed significantly since 1991, and this has also led to a more nuanced appreciation of Shostakovich's public and professional identity. Shostakovich Studies 2 reflects these changes, focusing on documentary research, manuscript sources, film studies and musical analysis informed by literary criticism and performance. Contributions in this volume include chapters on Orango, Shostakovich's diary, behind-the-scenes events following Pravda's criticisms of Shostakovich in 1936 and a new memoir of Shostakovich by the Soviet poet Evgeniy Dolmatovsky, as well as analytical studies from a range of perspectives.

目次

  • Introduction
  • Part I. Archival Studies: 1. Interrupted masterpiece: Shostakovich's unfinished opera Orango Olga Digonskaya
  • 2. Notes from Shostakovich's diary Olga Dombrovskaya
  • 3. Mitya Shostakovich's first opus (dating the Scherzo Op. 1) Olga Digonskaya
  • Part II. Analysis and Interpretation: 4. Shostakovich and structural hearing David Fanning
  • 5. Socialist realism, modernism and Dmitriy Shostakovich's Odna (Alone, 1929-31) Joan Titus
  • 6. Shostakovich's politics of D minor and its neighbours, 1931-49 Patrick McCreless
  • 7. Shostakovich and 'polyphonic' creativity: the Fourteenth Symphony revisited Kristian Hibberd
  • 8. The poet's echo, the composer's voice: monologic verse or dialogic song? Philip Ross Bullock
  • Part III. Context: 9. 'Muddle instead of music' in 1936: cataclysm of musical administration Simo Mikkonen
  • 10. Shostakovich and Dolmatovsky: a last memoir Pauline Fairclough
  • 11. Shostakovich, Proletkul't and RAPM Levon Hakobian.

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