Decoding old masters : patrons, princes and enigmatic paintings of the 15th century
Author(s)
Bibliographic Information
Decoding old masters : patrons, princes and enigmatic paintings of the 15th century
I.B. Tauris, 2008
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [141]-145
Includes index
Description and Table of Contents
Description
The interpretation of paintings - especially of Old Masters - has occupied art historians for generations. Rarely however have they attempted to place the subject of their research in its wider political and international context. So what can we learn, for example, about the state of 15th-century Europe by studying some of the great paintings of the time? In this innovative work, Abolala Soudavar examines seven paintings by some of the great masters of the 15th century and demonstrates how we can better understand the state of international relations and the political rivalries of the time by decoding the figures, their postures and gestures, the background scenes, the compositions and much else in these paintings.The result offers some extraordinary solutions to long-standing puzzles, which illuminate both the paintings and our understanding of the period. By decoding these paintings, Soudavar has altered the landscape of our understanding of 15th-century Art and opened the door to a kind of political and historical analysis of high culture which will affect how we study the history of art in future generations.
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