Philip Taaffe : the life of forms : works 1980-2008
Author(s)
Bibliographic Information
Philip Taaffe : the life of forms : works 1980-2008
Hatje Cantz, 2008
- Other Title
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Life of forms
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Exhibition catalogue
Catalog of the exhibition held at the Kunstmuseum Wolfsburg, March 8-June 29, 2008
Exhibition curated by Markus Brüderlin, Holger Broeker
Includes bibliographical references
Description and Table of Contents
Description
New York-based painter Philip Taaffe became internationally known as part of the early-80s Appropriation art movement for his unique approach, which combined abstraction with ornamental art from a variety of cultures. Poet and critic John Yau has written, "In attempting to connect the microcosmic with the macrocosmic, Taaffe constructs a metaphysical vertical axis that connects earth to sky, as well as the ancient to the postmodern." Taaffe has traveled extensively, building a lexicon of imagery from cultures with a history of ornate decorative art, among them Arabic, Asian, Celtic and Pre-Colombian. Within the confines of his canvases, imagery from these civilizations mingles freely together, and merges with influences from the Western canon, such as Art Nouveau, Op art and Abstract Expressionism. Taaffe also uses non-art sources like early botanical photography. This substantial new monograph provides an overview of Taaffe's entire oeuvre, with all works beautifully reproduced on full-page color plates. The volume also includes a visual essay by Taaffe and a series of photographs showing him at work in his studio.
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