Street photography : from Atget to Cartier-Bresson
著者
書誌事項
Street photography : from Atget to Cartier-Bresson
I.B. Tauris , In the United States and Canada distributed by Palgrave Macmillan, 2007
- : pbk
大学図書館所蔵 件 / 全5件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [221]-228) and index
内容説明・目次
内容説明
Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre.In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual but to the type; not to the 'reality' of the street but to its 'romance'.
目次
Illustrations, introduction 1 out of the studio into the street 2 the street-photographic and the documentary 3 street arts and street metiers 4 street photography: the appropriateness of language and an appropriate language 5 streets, buildings and the gendered city, conclusion
「Nielsen BookData」 より
