Russia and its other(s) on film : screening intercultural dialogue
Author(s)
Bibliographic Information
Russia and its other(s) on film : screening intercultural dialogue
(Studies in Central and Eastern Europe)
Palgrave Macmillan, 2008
- Other Title
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Russia and its other(s) on film
Russia and its others on film : screening intercultural dialogue
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p226-232) and index
Description and Table of Contents
Description
Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the 'Evil Empire' of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang.
Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book's structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.
Table of Contents
- Introduction
- S.Hutchings SECTION I: RUSSIAN REPRESENTS 'THE OTHER' Fear and Anxiety in the Representation of Foreigners in the Soviet films of the Khrushchev years
- J.Graffy Italy and the 'Other' in Soviet Cinema
- D.Gillespie From a Post-Colonial Wondertale to a Post-Authoritarian Parable
- M.Lipovetsky Sokurov's Russian Ark : Reflections on the Russia-Europe Theme
- I.de Keghel The New American Other in Post-Soviet Russian Cinema
- S.Graham SECTION II: THE OTHER REPRESENTS RUSSIA Lost In Translation? Early Soviet Sound Film Abroad
- J.Hicks Cold War Film and the Non-Reality of Russia
- I.Sandomirskaya Bilingualism, Miscegenation and Incest in East/West and Indochine : Russia's Place in the French Postcolonial Imagination
- S.Hutchings Through the 'Other' Lens? Russians on the Global Screen
- B.Beumers Russian Marital Migrants in Contemporary Film
- K.Sarsenov Angel, Avenger, or Trickster? The 'Second-World Man' as the Other and the Self
- M.Lipovetsky& D.Leiderman
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