Constructing America's war culture : Iraq, media, and images at home
Author(s)
Bibliographic Information
Constructing America's war culture : Iraq, media, and images at home
Lexington Books, c2008
- : pbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 159-162) and index
Description and Table of Contents
Description
In 1927, political scientist Harold Lasswell wrote about the strategies employed by the American government to sell the benefits of participating in World War I to a reluctant public. In Propaganda Techniques in World War I, Lasswell discussed the "manipulative symbols to manipulate opinions and attitudes" (p 9). Ever since then, all wars have involved specialists who attempt to control the way the media report about war and the way media contribute to shaping public opinion. This collection of essays discusses how media have "packaged" the war in Iraq. The chapters in this collection explore the way the media have presented the war to us by telling us human interest stories, supporting public policies, and crafting a narrative that supports the war. Some chapters focus on the way the Bush administration has actively promoted and attempted to control information; others tell of how the media have either been complicit in supporting the dominant narrative, or how the public has used the images in the media to negotiate attitudes toward the war, terrorism, and international relations. All of the chapters discuss the relationships among conflict, political agendas, the power of media, and the way audiences use media to construct attitudes, beliefs, and-ultimately-a sense of history about the war. Coming from the perspective of communication studies, situates the multi-dimensional aspects of war, terrorism, public policy, media, and story-telling within the context of creating a consensually assembled image of what the war in Iraq is all about. This book will be of interest to undergraduate students as well as scholars of communication, history, sociology, political science, and American studies, and it will be an excellent resource both for classroom use as well as the general public.
Table of Contents
Chapter 1 Preface Chapter 2 Introduction Part 3 Part One: Constructions of War Chapter 4 Chapter 1. Freedom of Expression and Voices of War: Blogging as an Alternative to Mainstream Media Chapter 5 Chapter 2. What Happened to Journalism? Chapter 6 Chapter 3. Selling the Bush Doctrine: Persuasion, Propaganda, Public Relations and the Patriot Act Part 7 Part Two: Iraq, Media, and Images at Home Chapter 8 Chapter 4. The Packaging of Jessica Lynch Chapter 9 Chapter 5. Staying in the Moment: Hollywood, History, and the Politics of 9/11 Chapter 10 Chapter 6. War As Mediated Narrative: The Sextet of War Rhetoric Chapter 11 Chapter 7. Images of America at War on the Internet Newsgroup: soc.culture.europe Chapter 12 Chapter 8. The War Doesn't End Until the Last Soldier Dies: Transmedial Narratives of War
by "Nielsen BookData"