The century of Bach and Mozart : perspectives on historiography, composition, theory, and performance
著者
書誌事項
The century of Bach and Mozart : perspectives on historiography, composition, theory, and performance
（Isham Library papers, 7）（Harvard publications in music, 22）
Harvard University Department of Music, 2008
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注記
"In honor of Christoph Wolff."--CIP data
Includes bibliographical references and index
収録内容
- Part I. Eighteenth-century music in its intellectual contexts. The German eighteenth century : marking time / David Blackbourn
- Fundamenta partiturae : thorough-bass and foundations of eighteenth-century composition pedagogy / Thomas Christensen
- Mishmash or synthesis? : on the psychagogic form of The creation / Hermann Danuser ; [translated by Nicolas Betson]
- Six of one : the opus concept in the eighteenth century / Elaine Sisman
- Part II. Composing and hearing music in the eighteenth century. Bach's passions and the textures of time / John Butt
- Bach and hypocrisy : appearance and truth in Cantatas 136 and 179 / Eric Chafe
- Tartini and his texts / Sergio Durate
- Part III. Sources and transmission. The evolution of "Und wenn die Welt voll Teufel wär" BWV 80/5 / Daniel R. Melamed
- Bach and Mozart : from the perspective of different documentary evidence / Hans-Joachim Schulze
- On Johann Sebastian Bach's creative process : observations from his drafts and sketches / Peter Wollny
- One more time : Mozart and his cadenzas / Neal Zaslaw
- Part IV. Issues in historiography. On ancient languages : the historical idiom in the music of Wolfgang Amadé Mozart / Ulrich Konrad ; [translated by Thomas Irvine]
- Eighteenth-century music as a socio-political metaphor? / Reinhard Strohm
- The century of Handel and Haydn / James Webster
- Mozart's fantasy, Haydn's caprice : what's in a name? / Gretchen Wheelock
- Part V. Interpreting eighteenth-century music. The clavier speaks / Christopher Hogwood
- Ten years of Bach cantatas / Ton Koopman
- Mozart's working methods in the keyboard concertos / Robert Levin
内容説明・目次
内容説明
For many today Johann Sebastian Bach and Wolfgang Amadeus Mozart stand as towering representatives of European music of the eighteenth century, composers whose works reflect intellectual, religious, and aesthetic trends of the period. Research on their compositions continues in many ways to shape our broader understanding of eighteenth-century musical thought and its contexts. This collection of essays by leading authorities in the field offers a variety of new perspectives on the two composers, as well as some of their important contemporaries, Haydn in particular. Addressing topics as diverse as the historiography of eighteenth-century music, concepts of time and musical form, the idea of the musical work and its relation to publishing practices, compositional process, and performance practice, these essays together constitute a major contribution to eighteenth-century studies.
This book had its origin in a conference that took place at the Music Department of Harvard University on September 23-25, 2005, to honor Professor Christoph Wolff, Adams University Research Professor at Harvard University.
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