The European musical heritage, 800-1750
著者
書誌事項
The European musical heritage, 800-1750
（McGraw-Hill higher education）
McGraw-Hill, c2006
Rev. ed
楽譜（印刷）（いずれでもないもの）
大学図書館所蔵 全1件
注記
Includes bibliographical references (p. 610-616) and index
内容説明・目次
内容説明
This well-regarded anthology offers a comprehensive selection of musical scores for of all the major genres of Medieval, Renaissance, and Baroque music. Arranged chronologically, selections are grouped by type within each period to facilitate comparison and further study. The text also includes extra resources such as translations, notes on sources, pertinent maps, and informative commentaries.
目次
PREFACE
A Note on Square Notation
8th-11th Century: Sacred Monophony
1.Easter Mass Proper and Ordinary1a. Resurrexi (Introit)1b. Quem querities in sepulchro (Introit trope 1) Ecce pater cunctis (Introit trope 2)1c. Kyrie Cunctipotens genitor (melismatic and Latin versions)1d. Gloria1e. Haec dies (Gradual)1f. Alleluia Pascha nostrum1g. Fulgens praeclara (prose)1h. Credo1i. Terra tremuit (Offertory)1j. Sanctus1k. Agnus Dei1l. Pascha nostrum (Communion)1m. Ite, missa est2. First Vespers on the Feast of the Nativity of the Lord (excerpts)2a. Deus in adjutorium (opening versicle)2b. Rex pacificus (antiphon and Psalm 112)2c. Magnificatus est (antiphon and Psalm 124)2d. Veni redemptor gentium (hymn)2e. Benedicamus Domino (closing versicle)3.Modal Formulas3a. 9th-Century Series (from Commemoratio brevis de tonis et psalmis modulandis)3b. 12th-Century Series (from De Musica by John of Afflighem)
8th-11th Century: Polyphony
Theorists' Examples4a.Rex caeli Domine (organum at the fourth, from Musica Enchiriadis)Rex caeli Domine (sacred song, principal melody of No. 4a)4b.Sit Gloria Domini (organum at the fifth with octave doubling, from Musica Enchiriadis4c.Guido of Arezzo, Ipsi soli (organum, from Micrologus)Ipsi soli (antiphon, principal melody of No. 4c)4d.Kyrie Cunctipotens genitor (from Ad organum faciendum)4e.Alleluia in 5th performance mode (from Ad organum faciendum)Alleluia Justus ut palma (prinicipal melody of No. 4e)5.Wulfstan of Winchester (?), Alleluia Te martyrum6.Castitatis lilium effloruit (versus)
12th-13th Century: Sacred Monophony
Liturgical chant7a.Ave regina caelorum (votive antiphon)7b.Veni sancte spiritus (prose)7c.Pange lingua gloriosi corporis (hymn)7d.Aeterna Christi munera (hymn)
12th-13th Century: Secular Monophony
Troubadour and Trouvere Songs8a.Bernart de Ventadorn, Can vei la lauzeta mover8b.Peire Vidal, Baros de mon dan covit8c.Gaucelm Faidit, Fortz chausa es (1199)8d.Chevalier mult estes guariz (Crusaders' song, 1147)8e.Gace Brule, Biaus m'est estez8f.Guillaume d'Amiens, Prendes I garde (rondeau)
12th-13th Century: Polyphony
9a.Viderunt Emmanuel (Aquitanian versus)9b.Kyrie Cunctipotens genitor (from Codex Calixtinus)10a.Leonin, Alleluia Pascha nostrum (organum duplum)10b.Alleluia Pascha nostrum (organum duplum, later revision of verse)11.Perotin (?), Alleluia Pascha nostrum (organum triplum)12.Conductus12a.Deus in adjutorium (conductus sine cauda)12b.O tocius Asie (conductus cum cauda)
13th-Century Motets (to c. 1250)
13a.Discant clausula on Regnat (from Alleluia Hodie Maria virgo)13b.Ad solitum vomitum/Regnat (two-voice motet)13c.Ad solitum vomitum/Regnat (three-voice conductus motet)13d.Depositum creditum/Ad solitum vomitum/Regnat (Latin double motet)13e.Alleluia Hodie maria virgo (source chant for Regnat clausula)13f.L'autre jour/Au tens pascour/In seculum (French double motet)14."A certain Spaniard," In seculum breve (instrumental hocket)
13th-Century Motets (after c. 1250)
15a.El mois de mai/De se debent bigamy/Kyrie (French double motet)15b.On parole de batre/A Paris/Frese nouvele (French double motet on secular tenor)15c.Alle psallite cum luya/Alle psallite cum luya/Alleluya (Latin voice-exchange motet)15d.Petrus de Cruce, Aucun ont trouve/Lond tans/Annuntiantes (French double motet)
14th Century: Ars Nova
16.Philippe de Vitry, Tribum que/Quoniam secta/Merito hec patimur (isorhythmic motet)17.Guillaume de Machaut, Bone pastor Guillerme/Bone pastor qui pastores/Bone pastor (isorhythmic motet)18.Guillaume de Machaut, secular songs18a.Nes que on porroit (ballade)18b.Quant j'ay l'espart (rondeau)8c.Dame a vous sans retollir (virelai)
14th Century: Trecento
19.Jacopo da Bologna, Non al suo amante (madrigale)20.Gherardello da Firenze, Tosto che l'alba (caccia)21.Francesco Landini, Questa fanciull'amor (ballata)
Late 14th Century: Ars Subtilior
22.Borlet (?), Ma tredol rosignol joly (virelai)23.Johannes Ciconia, Sus un' fontayne (virelai)15th Century: Sacred Polyphony
24.Leonel Power24a.Credo (Opem nobis)24b.Ave regina caelorum (motet)24c.Ave regina caelorum (melody of Sarum tradition)25.John Dunstable, Beata mater (motet)26.Guillaume Dufay, Christe, redemptor omnium (hymn)27.Guillaume Dufay27a.Agnus Dei from Missa Se la face ay pale27b.Se la face ay pale (tenor of three-voice song)28.Guillaume Dufay, Ave regina caelorum (III) (motet)29.Johannes Ockeghem, Agnus Dei from Missa Mi-mi
15th Century: Secular Song
30.Guillaume Dufay30a.Ce moys de may soyons lies et joyeuz (rondeau)30b.Adieu m'amour, adieu ma joye (rondeau)31.Hayne van Ghizeghem, De tous biens plaine (rondeau)
Late 15th-Early 16th Century: Sacred
32.Josquin Desprez, Ave Maria gratia plena...virgo serena (motet)33.Josquin Desprez, Agnus Dei II from Missa L'homme arme super voces musicales34.Josquin Desprez34a.Kyrie from Missa Pange lingua34b.Agnus Dei from Missa Pange lingua
Late 15th-Early 16th Century: Secular
35a.Josquin Desprez, Faulte d'argent (chanson a 5)35b.Antoine de Fevin, Faulte d'argent (chanson a 3)36.Heinrich Isaac, La mi la sol (instrumental piece)37.Juan del Encina37a.Senora de hermosura (villancico)37b.Triste Espana (romance)38.Orsu orsu car'signori (Italian carnival song)39.Marchetto Cara, Io non compro piu speranza (frottola with introductory recercare by Franciscus Bossinensis)
16th Century (from c. 1520): Sacred
40a.Martin Luther, Aus tiefer Not (chorale melody, 1524)40b.Johann Walter, Aus tiefer Not (four-part setting, 1524)40c.Arnold von Bruck, Aus tiefer Not (four-part setting, 1544)40d.Johann Sebastian Bach, Aus tiefer Not (four-part setting, 1724)41.Nicholas Gombert, Ave regina caelorum (motet)42a.Giovanni Pierluigi da Palestrina, Veni sponso Christi (motet)42b.Veni sponsa Christi (antiphon)43.Giovanni Pierluigi da Palestrina, Kyrie from Missa Veni sponsa Christi44.Orlande de Lassus, Tristis est anima mea (motet)45.Orlande de Lassus, In teneris annis (Sibylla cimmeria), Section IV of Prophetiae Sibyllarum46a.William Byrd, Miserere mihi, Domine (motet from Cantiones Sacrae)46b.Miserere mihi, Domine (antiphon)47.Giovanni Gabrieli, Canzona Septimi Toni a 8 (from Sacrae Symphoniae, 1597)
16th Century (from c. 1520): Secular
48.Clement Janequin, Ou mettra l'on ung baiser (Parisian chanson)49a.Luis de Milan, Pavan 1 (from El maestro)49b.Diego Ortiz, Recercada settima (from Tratado de glosas)50.Jacques Arcadelt, Il bianco e dolce cigno (madrigal)51.Cipriano de Rore, Da le belle contrade d'oriente (madrigal)52.Luca Marenzio, Scaldava il sol (madrigal)53.Claudio Monteverdi, Cruda Amarilli (madrigal)54.Carlo Gesualdo, Moro, lasso, al mio duolo (madrigal)
17th Century: Vocal
55.Giulio Caccini, Perfidissimo volto (solo madrigal from LE nuove musiche)56.Sigismondo d'India, Cruda Amarilli (solo madrigal)57.John Dowland57a.Flow my teares (lute song)57b.Lachrimae Gementes (instrumental pavane)58.Claudio Monteverdi, Zefiro torna (continuo madrigal from Scherzi musicali)59.Giovanni Gabrieli, In ecclesiis (concertato motet from Symphoniae sacrae II)60.Heinrich Schutz, O quam to pulchra es (from Symphoniae sacrae I)61.Heinrich Schutz, Saul, Saul was verfolgst du mich? (from Symphoniarum sacrarum tertia pars)62.Jacopo Peri, Euridice (excerpt from scene 2)63.Claudio Monteverdi, Orfeo (excerpts from act II)63a.Vi ricordi through Ahi caso acerbo63b.A l'amara novella through Ahi caso acerbo64.Claudio Monteverdi, L'incoronazione di Poppea (Act I, scene 3)65.Giacomo Carissimi, Jephte (oratorio)65a.Cum autem victor through Cantate mecum65b.Cum vidisset Jephte through Heu mihi! filia mea66.Francesco Cavalli, Scipione Africano (Act II, scene 8)67.Antonio Cesti, Alpi nevose e dure (cantata)68.Jean-Baptiste Lully, Alceste (Act II, scenes 7-8)69.Henry Purcell, Dido and Aeneas (concluding scene)
17th Century: Instrumental
70.William Byrd, John come miss me now (from The Fitzwilliam Virginal Book)72.Samuel Scheidt, Jesus Christus unser Heiland, der von uns (from Tabulatura Nova, Part III)71b.Jesus Christus under Heiland, der von uns (chorale melody)72.Girolamo Frescobaldi, Toccata No. 8 (from Toccate e partite...libro primo)73.Girolamo Frescobaldi, Canzona dopo l'epistola (from La Messa della Domenica, Fiori musicale)74.Johann Jacob Froberger, Suite VI75.Louis Couperin, Prelude a l'imitation de Mr Froberger (unmeasured prelude)76.Salamone Rossi, Sonata in dialogo, "La Viena"77.Giovanni Battista Vitali, Sonata a due Violini col suo basso continuo per l'organo78.Arcangelo Corelli, Sonata da camera a tre, Opus 4, No. 579.Heinrich Ignaz Franz von Biber, Rosary Sonata X (The Crucifixion of Christ)80.Arcangelo Corelli, Sonata for violin and violone or cembalo, Opus 5, No. 1
18th Century: Vocal
81.Alessandro Scarlatti, Su le sponde del Tebro (cantata, Arias 3 and 4 and recitative)82.George Frideric Handel, Admeto82a.Act II, scenes 7 and 882b.Act III, scene 683.Jean-Philippe Rameau, Hippolyte et Aricie (Act I, scene 2)84.Giovanni Battista Pergolesi, La serva padrona (intermezzo primo, excerpt)85.Johann Sebastian Bach, Jesu,
der du meine Seele, BWV 78 (cantata for the 14th Sunday after Trinity)
18th Century: Instrumental
86.Francois Couperin, Pieces de clavecin, Premier livre (Premier ordre, excerpts)87.Johann Sebastian Bach, Prelude and Fugue in D minor, BWV 851-852 (from Das wohltemperirte Clavier I)88.Domenico Scarlatti88a.Sonata in D minor, K. 120 (L. 215)88b.Sonata in D major, K. 119 (L. 415)89.Antonio Vivaldi, Violin Concerto in G minor, Opus 8, No. 8, RV 332 (from Il cimento dell'armonia e dell'inventione)90.Johann Sebastian Bach, Musikalisches Opfer, BWV 107990a.Canon 1. a 2 cancrizans90b.Canon 2. a 2 violini in unisono90c.Canon 3. a 2 per Motum contrarium90d.Canon 4. a 2 per Augmentationem, contrario Motu90e.Canon perpetuusPlatesFiguresMapsEurope in the Mid-Fourteenth CenturyEurope in the Late Sixteenth CenturySelective DiscographySources and AcknowledgementsIndex
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