Blood relations : Christian and Jew in the Merchant of Venice
著者
書誌事項
Blood relations : Christian and Jew in the Merchant of Venice
University of Chicago Press, 2008
- : hbk
大学図書館所蔵 件 / 全14件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 197-212) and index
収録内容
- Introduction : strangers within Christianity
- Leaving the Jew's house : father, son, and elder brother
- Her father's blood : conversion, race, and nation
- Incising Antonio : the Jew within
内容説明・目次
内容説明
In "Blood Relations", Janet Adelman confronts her resistance to "The Merchant of Venice" as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare's play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism.Adelman locates the promise - or threat - of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, "The Merchant of Venice" reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock's daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown.In taking seriously the religious discourse of "The Merchant of Venice", Adelman offers in "Blood Relations" an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.
「Nielsen BookData」 より